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Wednesday

David in Woodland, oil and spray paint on wood panel 12x9 inches by Kenney Mencher



Islamic Art Exhibit 2013: Message of Quran: Benevolence

The Opening Reception for the Islamic Art Exhibit will be on Saturday April 6, from 5 to 7 pm at the Islamic Cultural Center of Northern California, 1433 Madison Street, Oakland.

Visiting Professor Carol Bier of UC Berkeley will be our guest speaker for the Opening Reception.
Carol Bier is a Visiting Scholar (2010-12) with the Center for Islamic Studies at the Graduate Theological Union in Berkeley, California and Research Associate at The Textile Museum in Washington, D.C. (2001-12), where she served as Curator for Eastern Hemisphere Collections (1984-2001). Her current research focuses on the historical development of Islamic patterns as intersections of geometry, art, religion, and philosophy.

Please join us and bring your family and friends. Your presence will greatly appreciated.
Please see the flier.



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Thank you
Islamic Art Exhibit Board

Calling Artists, Bay Area Currents CFE is Open! | April Opportunities



PRO ARTS     

CALLING ARTISTS,
BAY AREA CURRENTS IS OPEN!
April Calls for Entry & Artist Opportunities 



Announcing...


 
Selections by Michael Schwager
Director, University Art Gallery &
Professor of Art History, Sonoma State University
Exhibition Dates: July 2 - August 9, 2013
Deadline to Enter: Saturday, May 4, 2013, midnight


Bay Area Currents is a juried exhibition based on studio visits by a regional curator. The exhibition offers a snapshot of the energetic and risk-taking work made in the Bay Area today.

About the Juror:
Michael Schwager is Professor of Art History and Museum Studies and Director of the University Art Gallery at Sonoma State University. He was Curator of the di Rosa museum in Napa from 2003 to 2009. Prior to joining the Sonoma State faculty in 1991, Michael held positions at the San Francisco Art Institute, the Richmond Art Center, and the San Francisco Museum of Modern Art.

More info and online registration...

Image: (top) Tressa Pack, Untitled, 2012;(above l-r): Studio visits with 2012 juror Renny Pritikin; Matthew Weston Taylor, Simr, 2012; Bay Area Currents 2012 


Artist Services Calendar...

Saturday, April 6, 2013, 11am | FREE 
Artist Salon: Mapping Your Network (Strengthening Your Connections)
This Artist Salon will look at ways to visualize and take inventory of your ever growing network. Once you have mapped your network it is easier to take advantage and find strength in those connections. We will explore strategies on building stronger relationships and planning to meet your artistic goals. 
 
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Saturday, April 20, 2013, 2pm | FREE 
Workshop: Installation and Securing Your Work 
An introduction to installation for the Preview Exhibition and East Bay Open Studios. Topics include hanging artwork and security for public exhibition.
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Wednesday, April 24, 2013, 6.30-8pm 
Workshop: Understanding the Artist-Gallery Agreement 
Presented by California Lawyers for the Arts, this workshop is for artists, dealers, and gallery owners who want to better understand the legal relationships between artists and galleries. Topics include consignment, warranties, transportation, insurance, pricing, gallery commissions, promotion, and return of art.
Discounted tickets for Pro Arts' members. Contact the gallery for the code!


Community Collaboration...


Calling Teen Poets from the Page to the Stage...
Pro Arts is excited to be a lead partner for the 2nd Annual Oakland Youth Poet Laureate contest. Young writers (ages 13-18) are invited to apply for the chance to earn a $5,000 educational scholarship and embark on a year of opportunities as an ambassador for literacy, arts and youth expression.

Application Deadline: Friday, April 19, 2013 


More Bay Area Opportunities...

Oakland Digital: 'Inspire' Billboard Competition
Deadline: March 29, 2013  |   More info...  
 
Headlands Center for the Arts: Affiliate Artists Program
Deadline: April 15, 2013  |  More info...
 
Alameda County Arts Commission 2013 Artist Registry
Deadline: April 30, 2013  |  More info...

Berkeley Art Center: RISK Annual Juried Exhibition
Deadline: May 8, 2013  |  More info...    

2013-2014 Kala Fellowship Awards
Deadline: May 24, 2013  |  More info...

California Arts Council: Artist Opportunities
 

be pro arts         
Amy Spencer
Program Coordinator / Curator  






In the gallery:
The Free Gallery *ENDS THIS WEEK*

Closing night concert:
By the Waterhole & Stephan Meidell
Friday, March 29, 8-9.30pm, FREE  
More info... 

Supporting the arts within communities by serving the ongoing needs of artists. Pro Arts provides critical access to contemporary art in the region and serves as a regional hub for arts activities, independent curated exhibitions, advocacy, arts education and capacity building artist services - fiscal sponsorship to artists and professional exhibition services matching artists with community partners. We produce 22 exhibitions annually, exhibit over 580 artists, and reach an annual audience over 72,000. 
2011 Visual Arts Funders

Sultan Pasha Atrash, holy man and hero of the Druses, 24"x18" enamel and oil on gallery wrapped stretched canvas by Kenney Mencher

Sultan Pasha Atrash, holy man and hero of the Druses, with baffled wistfulness in his blue eyes, seems Christlike in his private life. He prays for the peace his people have never known, but on the eve of battle he becomes almost an insane tiger in human form.
 https://www.etsy.com/listing/127715931/sultan-pasha-atrash-holy-man-and-hero-of





Santa Cruz Art League (Classes and Events)



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May Classes
1 Still Life Drawing 
Learning to draw objectively is a challenge as the mind gets lazy; this class will teach fundamental drawing methods to create strong skills in close study, training you to observe truthfully and accurately. We will investigate single and cross contour, implied line, tonal values and shading, and develop accurate perspective and relationship measurement, to successfully translate three dimensional subjects into two dimensional drawings. You will be encouraged to keep sketchbooks using thumbnails and gathered materials as well as constant practice drawings. Come and learn to trust your eyes and have fun!!! Instructor: SUSIE WILSON* Level: All  Offered: 6 Tues. starting May 7, Time: 3:00pm - 5:00pm Fee: $145/ $125 Members.

2a.Traditional Figure Drawing* - Wednesday
Drawing the human figure is acknowledged to be the best foundation for learning the process of really seeing small details and acquiring perspective and measurement skills to benefit all future artistic endeavours. In this traditional drawing class, you will be encouraged to explore gesture, shape, tone, balance, perspective, and measurement as the means of producing accurate and confident drawings from a life model. By learning to draw realistically you will be empowered to draw creatively, with energy and CONFIDENCE.This class is suited to all levels. For the emerging artist, it will encourage guided exploration, using charcoal, pencil or conte, but it will also offer an opportunity for artists of all abilities to hone existing skills with instruction at any level they might require. Offered: 6 Wednesdays. beginning May 8,  Time:12:30- 3:00pm, Class Fee: $145/ $125 Members, Model Fee: $46 at 1st class Instructor:  SUSIE WILSON* Susie has a BA in Fine Art Printmaking from the Norfolk Institute of Art and Design (UK),  a degree in Illustration and an HNDBTEC degree in Education, also in the UK. . She taught Life Drawing at the Norfolk Institute and was a college lecturer in the subject at the Norwich School of Art. Since arriving in America she has taught private and group classes for approximately 20 years, and has participated in Open Studios.
2b.Traditional Figure Drawing* - Thursday
Same as the class above. Offered: 6 Thursdays. beginning May  Time:10:00- 12:00pm, Class Fee: $145/ $125 Members, Model Fee: $40 at 1st class Instructor:  SUSIE WILSON*
3.  FAT OVER LEAN: The art of mixed media layering
Experience the infinite possibilities of paper, paint and found materials while creating a series of small ready to hang, mixed-media artworks. The goals of these workshops are to experiment with different techniques, layer them properly and have a good time. Part color theory class, part exposure to fresh ideas about composition with emphasis on creativity, how to loosen up and break the rules. Combing, scribing, rubbings, stencils, stickers, stamping, whitewashes, transfers, gold leaf, rust, glazing, tinting and even smoke are finding their way into FINE ART and we will play with them all.  Students are encouraged to bring black & white photocopies (not color, but we will hand tint) of your favorite photographs to use as your personal images in creating your art. Using photos that you have taken will make your finished work more unique and original to you. Feel free to bring any materials you have questions about or would like to use. All levels are welcome.  6 Weds, beginning May 8th TIME: 3:30-5:30  FEE: $145 / $125 members, $10 materials fee.  Instructor: DEE HOOKER is a full time professional artist, co-director of ART FOR ART and a 25 year Open Studio participant. 
4a.  Painting Workshop
Acrylic and Oil, all levels of experience welcome. Learn the principles that will make your paintings come to life in a workshop filled with enthusiastic coaching.  Using still life, discover what really matters and how to analyze and fix problems as they arise.  Watch your work take on a new vibrancy and light. Level:  All  Offered: 6 Weds. starting May 8, Time: 6:30pm - 9:30pm Fee: $145 / $125 Members.  Instructor:  W. DOWNEY DYER*. a full time professional artist with over 20 years experience as a gallery and frame shop owner, Bill studied 8 years privately with foremost impressionist Don Hatfield; an Open Studio artist who has exhibited widely.
4b.  Painting Workshop  
Same class as above in Acrylic and Oil. Levels: All,  Offered: 6 Fridays. starting May 10, Time: 1:00pm - 4:00pm Fee: $145 / $125 Members. Instructor: W. DOWNEY DYER
5.  Watercolor
Six weeks of botanical only. A mini - portfolio will be created to include 12 paintings of fruit, vegetables, flowers, leaves and root systems. Participants are encouraged to use only arches 140 or 300 lb paper. Levels: All  Offered: 6 Thurs. beginning May 9  Time:1:00- 4:00pm Fee:$145 / $125 -Members Instructor:  LINDA LORD is a self-trained artist and illustrator with over 16  years teaching experience in her studio and via the SC Watercolor Society; an Open Studio artist whose exhibits include Cozumel, Mexico. Linda also publishes with a decorative art publisher.

6. Pastel Studio
Loosen up and have fun with pastels! Various pastel approaches, surface possibilities, color choices, light and shadow, layering and underpainting will be covered. Participants may work from their own reference materials or still life set ups. This is a supportive class with individual attention and problem solving, demos, and critiques. The emphasis is on developing a personal style and handling of this versatile and vibrant medium.  Level: All Offered: 6 Fri., on  May 10, 31, June 7, 14, 21, 28,  Time: 9:30am to 12:30 pm  Fee: $145 / $125 Members  Instructor:  JOAN HELLENTHAL  BA Fine Art Brown University, MA Fine Art SJSU; CA  credentialed art instructor, painter and mixed media artist who exhibits in many private and corporate collections inc. MAH, UCSC and Open Studios.
Weekend Workshops Classes
7. Collage - The Natural Way
This workshop will let students learn to create a series of unique collages inspired by nature and its elements. Working with a limited palette and paste, layering elements and composition will be focused on.  Distressing papers and ideas on creating a body of work will be discussed.  Instructor demonstrations and lots of individual attention provided. Bring a sack lunch! Offered: April 6 & 7. Levels: All,  Time: 10 - 4:00, Fee: $150 / $130 Members, Materials Fee: $15. 1st day of class. Instructor ROBERTA LEE WOODS. Roberta has a B.F.A. from The Maryland Institute, College of Art, and an M.A. from CSU, Chico. She is a long term Santa Cruz Open Studio artist and has been teaching collage and mixed media in California for over 20 years.
8. Color and Light Intensive
Explore color and light! This class will guide you through a series of simple steps that will expand your range of color expressiveness and help improve your powers of observation. We will use strongly-lit studio set-ups to discover the sensuous nuances of color in light and shadow. Medium: Oil or Acrylic Offered: April 20 & 21 Time: 10-4:00  Fee: $150 / $130 Members. Level: All Instructor: STANLEY GOLDSTEIN an established Bay Area painter who shows nationally, including New York, San Francisco, and Los Angeles, with works in the permanent collections of the Fine arts Museums of San Francisco and Santa Clara's Triton Museum. He has taught at the San Francisco Art Institute, SF City College extension, California Academy of Sciences, Idyllwild Arts, and many workshops and privates classes.
9.  Catching the Light with Pastel
Explore light in the landscape with dry pastels in this class suitable for all levels. We will work indoors and out, and practice using a series of questions  to help make decisions in the pastel painting process. Demonstrations  will focus on working quickly in changing light conditions, finding compositions that work, painting on a variety of surfaces, and using different techniques to control the medium and achieve a range of outcomes. Stretch yourself by trying pastel, or strengthen your ongoing pastel painting practice. No matter what medium you use, spending a weekend studying light will help you grow as an artist. Class will meet at the Art League with forays out to local natural areas if the weather cooperates. Bring a sack lunch! Offered: April 27 & 28. Levels: All,  Time: 9 - 3:30, Fee: $150 / $130 Members, Instructor ERIKA PERLOFF. Erika has been painting the local landscape in pastel for over 20 years and is also an experienced educator. Her work is widely exhibited and collected. 
10. Journaling
Journaling helps us to slow down to really see and appreciate the world around us. This course is designed for those who love being in nature and wish to record their experiences in the form of an illustrated journal. The basic elements of watercolor, color pencil, pen and ink wash will be covered as well as the fundamentals of layout and design to create a pleasing page. Drawing theory from Frederick Franck's "Zen of Seeing," and Betty Edward's "Drawing on the Right Side of the Brain," will be presented to encourage us to turn down the internal critic, free up creativity, and enjoy both the process and the product as we journal our experiences. We will meet at the UC Arboretum to enjoy the glorious weather and views. Bring a sack lunch! Offered: June 1 & 2. Levels: All  Time: 9 - 3:30, Fee: $150 / $130-Members Admission: $10 Instructor CYNTHIA ARMSTRONG holds a graduate degree from UC Santa Cruz in Science Illustration and a Master's in Education from Stanford University. She has been a freelance illustrator and artist for over 15 years, and a teacher for the past 10 years. Cynthia, as a published illustrator, has traveled and journaled extensively throughout her career. 
11.  Watercolor: Tools & Techniques 
This two-day watercolor workshop will feature three painting projects, two simple and fun projects to introduce students to tools, techniques and develop their style. There will be an additional extended project to pull these together. We will be exploring basic to advanced painting techniques to create beautiful and dramatic watercolor paintings. All Levels. Bring a sack lunch! Offered: June 29 & 30. Levels: All.  Time: 9am - 3:30pm, Fee: $150 / $130.  Materials list provided. Instructor SHIRLEY LEHNER-RHOADES Shirley  is an Open Studio artist and owner of Scotts Valley Art Center, an art instruction school since 1997. 
12. Landscape Workshop
This 2 day workshop will cover the basic principles of painting: line, form, value, color, texture, and edges. You will paint the first morning. After a brief presentation at the Art League, we will travel to our first site. Have all your supplies and be ready to discover new ways of seeing the great landscapes around us.Bring a sack lunch! Offered: July 20 & 21. Levels: All,  Time: 9 - 3:30, Fee: $150 / $130 Members, Instructor MICHELE HAUSMAN Michele has exhibited her oil landscapes in Santa Cruz  County Open Studios Art Tour for the past 12 years. She is represented by Local Color in Big Sur and Scotts Valley Artisans.
Figurative Drawing
Facilitated by Open Studio artist Richard Bennett
$16 (Members $14; Students $10). Drop-Ins welcome!

Monday Night Drawing - Drawing from a model 
no instruction, Evenings 7-10 p.m.
         
1  & 3rd Monday Afternoon Drawing & Painting
1:30-4:30pm Live model, longer poses
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Payment
Cancellation Policy: Full refund 7 calendar days prior to 1st class,
2-3 weeks for refund

Mail  payment to:
SCAL, 526 Broadway, Santa Cruz, CA 95060 
       
 *Phone registration via Visa/Mastercard (831) 426-5787

Sign-up and pay online: www.scal.org
Wed-Sat, 12-5  & Sun 12-4

I'm impressed with this painter's work: JAMES RIECK On Location



NEW BANNER LOGO
James Rieck "On Location" Opens March 29th, 6-8pm
James Rieck, Freedom of Action, 2013
Oil on canvas, 72 x 54 inches

James Rieck,Sun and Swim, 2013
Oil on canvas, 72 x 44 inches

James Rieck, Rugged but Relaxed, 2013
Oil on canvas, 60 x 54 inches

James Rieck On Location
James Rieck, Ready for Tomorrow, 2013
Oil on canvas, 60 x 48 inches
James Rieck, Petite Pleat, 2013
Oil on canvas, 54 x 54 inches
JAMES RIECK
 
On Location
 
March 29 - April 27, 2013
 
 

Artist's Reception
Friday, March 29th, 2013
6-8pm

Lyons Wier Gallery
542 West 24th Street
New York, NY 10011

Gallery Hours: Tues - Sat, 11-6pm

Nearest Subway: C,E @ 23rd St & 8th Ave.

Lyons Wier Gallery is pleased to present On Location, by James Rieck AND celebrate our 20th year in the art industry.  

In his latest series of paintings, James Rieck's new muse is his 'self-imposed dislocation.'  Eight months ago, Rieck uprooted his long-time residence and studio/safe house in Baltimore, MD, and transplanted himself 'on location' in downtown Los Angeles, CA -- the home of infinite 'locations'.

The artist states, "One's relationship with their environment is a critical definer of how they feel about themselves and the world. The artist's studio is the place where artists usually feel at ease to experiment and explore. The idea behind the new body of work was to explore what a different environment does to the artist's 'natural' approach. Does one's environment affect the outcome? What happens when one consciously disrupts their 'safe' environment, and therefore the 'natural' outcome of their artwork? This is the idea for "On Location" -- the pursuit of dislocation or purposeful disruption to find a different result."

In a conversation with the artist, Rieck asked, "Is Los Angeles/Hollywood the land where dreamers transplant themselves, hit it big and find their pot of gold? Or, is it the seedy underside where dreams are broken and hopes are dashed?" Either way, the mere fact that these simplified scenarios may seamlessly coexist, yet not exist, are the myths perpetuated by the magic of the movie industry. It is this disconnect between posturing and position that has fascinated Rieck about his new surroundings.

Rieck has always sifted source material from commercial advertising catalogs. But for first time, the artist has deviated away from exclusively using commercial catalogs by introducing imagery from manufactured studio locations. It is obvious that the self-imposed exile to Hollywood and the celluloid scene of Los Angeles has influenced his current work. Like the magic of movies, our beliefs are momentarily suspended as we gaze at these images of beautiful people, visiting exotic locations, indulging in the finest that life has to offer, knowing all the while that the compositions are make-believe.

The paintings in On Location are compositions painted from digitally composited studies of figures in grandiose landscapes. The figures are clearly models poached from advertisements and the landscapes are classic displays of manufactured nature; but combined, they are 'on location'! The clothing models have been transported to exotic lands, but we know that they are not actually there. These people were not in these places; they were not interacting with the nature. This revelation brings home an almost universal feeling of displacement, and yet no matter how disquieting, there is a peaceful feeling of serenity, as if that is exactly how the narratives and compositions should be.

James Rieck earned both his MFA and his BFA from the Maryland Institute College of Art, attended the Skowhegan School of Painting and Sculpture, and the Glasgow School of Art. He has shown at the Flag Foundation, New York, Charles Campbell Gallery, San Francisco, and the Corcoran Museum, Washington, DC. Rieck's work is present in the Burger Collection, the Bollag-Rothschild Collection, Switzerland, and the Chadha Collection, The Netherlands. Rieck lives and works in Los Angeles and has been represented by Lyons Wier Gallery since 2003.
 
For more information & images, contact:

Lyons Wier Gallery
542 West 24th Street
New York, NY 10011



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