Showing posts with label photo booth. Show all posts
Showing posts with label photo booth. Show all posts

Friday

I'll try to post a new story competition in the next day or so. Meantime,

For the latest in fiction competitions please visit:
http://www.kenney-mencher.com/

Meantime here are a bunch of my newest paintings:

 Doris Closed oil on stretched canvas 12"x9"
 Slim Chance oil on masonite panel 14"x11"
 Bess Freund and Ivanna B. Withew oil on masonite panel 14"x11"
Max Schreck oil on masonite panel 14"x11"

Doppelgangers

So when I started my series of paintings and my fiction competition I never imagined that there would actually be real people who shared the names with some of my characters.  There are.


I got an e-mail from Dr. D. Mencher yesterday!  
This is what he wrote:
Hi Kenney,

The world is strange, indeed.

I am Dr David Mencher, but I dont look anything like your illustration. I also grew up in NY (Brooklyn) and attended Hunter College (now Lehman), graduated 1968.


We went to the same college in the Bronx and his father's name is the same as my grandfather (Leo).  Did my grandpa have a secret life are we related? 

He looks like this:
Here's his doppelganger:

I also got a message from a Mrs. Liza Lott on the posting for her:



Hi,
My name is Liza Lott I am 30 years old & live in FL. This picture looks eerily similar to me...what's the history of it?


PS. I find this whole thing very bizarre and a little freaky. 

Here's her picture:



 Here's Liza Lott's doppelganger :


The reception for the show is coming soon!



The exhibit:    
Renovated Reputations: Recent Paintings by Kenney Mencher
ArtHaus Gallery 411 Brannan Street San Francisco, CA 94107-1703
(415) 977-0223

Reception: 
Friday April 8th 6PM-8PM

Come in retro costume:
We're having a free photobooth and who knows, maybe you could be Mencher's next portrait!

Renovated Reputations is the result of an internet blogging project in which paintings and assemblages based on vintage and antique vernacular photography are the inspiration for short fiction.  The blog, which gets between one hundred to two hundred and fifty visitors a day, is the nexus point.  Each week between seven to ten authors from the U.S. and U.K. submitted short fiction of one thousand words or less compete to win an original work of art that is the basis for the story.  The stories and assemblages are then coupled with great graphic design and photo illustration to create an environment that compliment the two.
The catalog and the book are collaborative joints between myself, and a dirty dozen or authors such as professor Mark Brosamer,  pulp author Steven D. Rogers of PulpFest fame, Dreamworks animator/cartoonist Brian Newlin, columnist Gigi De Vault and others. 
Each painting and story are a unique standalone entity – combined in a show and print they’ll kill ya! 
 
Download it as a PDF.

Sincerely (I mean it!)
Kenney Mencher 
http://www.kenney-mencher.com/

Sunday

Flash Fiction Challenge: Burt Feathers

Write a story about 
Burt Feathers and Win the Drawing on the Right
The contest closed Monday December 20, 2010
The winner is S.M Florey’s Born to Soar 

Burt Feathers
16"x20" oil, ephemera, bird feathers
and mixed media on masonite
Click on pictures to enlarge

The story you write should be a "Flash Fiction" which is a complete story in one thousand or fewer words.  Please post the story in the comment section, you will have to provide your name and an email address in order to be qualified to win or you can e-mail me at kmencher@ohlone.edu with your info.  There is a problem with how many characters can post (only about 4,000) so if you cannot post it.  E-mail it to me at kmencher@ohlone.edu

Go to my website for more contests: http://www.kenney-mencher.com/

Winning flash fiction stories will be integrated in with an exhibit in San Francisco at ArtHaus Gallery (April 8th for the reception).

The show is called:
Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs

The exhibit will include a series of 20-40 paintings and mixed media works ranging in size from 8”x10” to 18”x24” framed with thrift store and vintage frames.  In addition to the exhibited works ArtHaus is publishing catalogs signed by me and as many of the authors as possible.

Catalogs/books will consist of image of the painting with the text of the “flash story” surrounding the image.  If I can get the authors to come to a book signing/party, authors would sign their pages for some of the printed stuff.

We're going to have a photobooth for the show for participants to play with and vintage costumes.

Of course I'll send the authors free copies of the catalogs. I will announce the winners the day after the closing deadline for the competition. I'm planning on doing one flash fiction competition a week every Monday from now until April. 

(If the conditions in the side bar are not to your liking, I'm totally flexible.  Send me a contract that you like and I will mail it back to you.  I just don't want to chase people for signatures when I publish the catalog!)
____________________________________________________________
This was sent by email by Patrick Nelson:

My Dearest Angel,
 

Please forgive me. I do not want to leave you alone, but You cannot live with me dying. I see how you die a little yourself every time I go for one of the doctors remedies. You have changed almost as much as I in the past few months. It is not your time to go but I am of the certain belief that it is mine. I cannot bring you down with me. I will face my death as honestly and bravely as we have faced life. I cannot let my last thoughts here be of how I brought you so close to death because of mine. We traveled to so many destinations and experienced so many things together since the day we first met. Alas, you cannot come with me to this final destination. Not yet. I would never change a moment of our lives even if given the chance. Well, perhaps one thing.

I hope that my arrangements will allow you to be quite comfortable. I need to feel that you are safe and well provided for.
 

One thing I am sure of is that if this next chapter be a continuation of some kind, I will do everything in my power to wait for you there. We will be together again. I promise you this as I step away from everything and turn to fly into the mists of my future: you and I will be together again. Forever and well.

Yours in eternity,
Burton


____________________________________________________
This was sent by e-mail:
RC Florey

BURNT FEATHERS
Burt Feathers.  That was his actual name.  Junior high had been a bitch.  What were is parents thinking?  "Feathers" was bad enough as a family name, but putting "Burt" with it had insured a curse for life.  Or at least so far. 
In the first week of fifth grade, his friends came up with the idea that they should call him "Burnt" Feathers.  His teachers for the balance of Junior high had even slipped from time to time and called on "Burnt" when he raised his hand to participate in classes.
 By the time he reached seventh grade, the girls he wanted to ask to the annual junior high End of the Year dance did not want to have to even say that "Burnt" had asked them to the dance, let alone accept his invitation.  He was out of it entirely.  Being "Burnt" was quite obviously not cool.
The name stuck.  All through high school, he was "Burnt."  His self esteem was constantly challenged.  He got no respect.  His ideas were not valued in any of his classes and he had to occasionally remind his teachers that his name was actually Burt. 
There were more dances to attend in high school, for all the good it did him.  The girls had not forgotten the shear stigma of having to tell their friends that "Burnt" had asked them to the after the football game sock hop.  
 To make matters worse, some of the other students managed to open his locker one fine spring day and fill the top shelf with bird feathers saved from duck hunting and light them on fire.  Burnt Feathers for "Burnt" Feathers. 
Burt went to junior college to get an associate degree in finance, planning to apply for an underwriting position with Kansas City Life.  Several high school acquaintances also attended that junior college and the nickname persisted.
Would he never have the respect that any other person should experience?  He was intelligent, nice looking and personable.  However, no one seemed able to get past his nickname and he was finally afraid of the rejection that would come if he asked a girl for a date. 
Every week since he had turned 18, he had shoved a dollar bill into one of the state lottery machines at the grocery store where he had a part time position. And every week he checked his ticket hoping for the jackpot, while knowing it was very nearly impossible to win.  The dream was that if he won, respect would finally come his way.  The girls would not mind his nickname and would be only too happy to date the nice looking rich guy.  He had even carried his fantasy to the local haberdashery and purchased a beautiful tuxedo in case he won.  
One Thursday morning, reporting for work, he scanned his ticket in the lottery machine and nearly fell over backward, when the screen lit up with a message in big red letters "JACKPOT WINNER."  Then in smaller letters: " Report to the state lottery office for your payout." Immediately, he told his supervisor that he would no longer be working there, part time or anytime. 
 His tux came out of the closet in anticipation of the publicity. He arrived at the lottery office almost breathless and presented his ticket for verification.  He was a winner at last and now respect was going to be the biggest prize of all.  He barely noticed the reporter that had been summoned to record his triumph, an old junior high acquaintance. The million dollar check was presented.  Photos were taken. 
The next morning he could hardly wait to pick his newspaper off the front porch and see the headline.  This was going to be a big moment!!
His picture was there alright.  So was the headline.  "Burnt Feathers Wins Lottery!" 
  
________________________________________________


Sent by e-mail:




Born to Soar  
S.M. Florey

  “Burt, you can be anything you want to be.  You can soar like an eagle!”  That’s what his mother always told him.  And Burt did soar.  Champion quarterback in high school.  Big Man on Campus in college.  Youngest vice-president of his father’s successful insurance business.  Handsome bon vivant and man-about-town.  Married well.  Burt didn’t have to do too much to soar.  He had it all.  And yet, he didn’t.  Something was missing.   A vague feeling of emptiness would overcome him from time to time. 
    One day, as he was driving through the countryside to meet one of his salesmen at a client’s house, a large pheasant crashed into the front of his car causing him to nearly run off the road.  He quickly stopped the car, got out to see what damage had been done and swore when he saw the smashed grill, complete with pheasant dangling.  “Damn!”
     He finally untangled the bird from the grill.  As he raised it in his hand to throw it into the field, the bird’s feathers caught his eye.  He stopped his motion, struck by their iridescent beauty.  An unexpected feeling of pity and loss overtook him.  This had been a vibrant, beautiful creature before fate had tossed it into the path of his speeding car.  It had soared over the land and run through the fields.  It had had a purpose.  Burt wasn’t sure what that purpose may have been other than to someday be someone’s dinner, but it had some purpose.  Unbidden the bitter thought came to him, “What purpose do I have?  I’ve flown high.  I’ve had success – thanks to my father.  But I haven’t done anything for anyone else, fulfilled any real purpose – not even to be someone’s dinner.”    Burt felt a sad emptiness creep into his soul.    
    Caressing its feathers, Burt gently laid the bird down in the field and wept.

__________________________________________________
This came in by email:



ADJUSTMENTS
by Stephen D. Rogers

     Dear Helen,
     There comes a moment when you just have to burn your bridges, jump into the nearest plane, and fly away from home.
     I know you think that doesn't sound like the man you married talking, and you'd be right.  I'm the guy who goes to work every morning, who returns home every evening, who spends his nights with the girl he met back in high school.  People at work called me straight-laced and dull, and these were fellow insurance agents!
     See that?  I just used an exclamation mark.
     I tell you, Helen, I'm a changed man.
     You can't imagine what it was like to type that letter to Edward Johnson telling him that after twenty years of faithful service I would not be entering the doors of the Kansas City Insurance Company the next day or ever again.
     For the first time in my life, I felt free as a bird.
     I called for a taxi and instructed the driver to take me to the airport.  The next flight out was aimed towards Boston and so to Boston I went. 
     Rented a car at Logan and drove south and then east until I found myself on Cape Cod.
     Do you remember how many times we talked about visiting Cape Cod?  I have to tell you, Helen, it's everything we imagined and more.  The beaches, the seafood, the ocean.  Life here is a dream come true.
     And this will make you laugh.  I recently met a man over fried clams at this little roadside restaurant.  Turns out he's in the insurance game and in need of somebody to take the place of an adjuster who suffered a stroke.
     That's right.  As of last Monday, I'm in the employ of Seafarers Casualty.
     Now, I'm sure that my leaving like I did came as a bit of a shock to you, and I apologize for every pain I might have caused. You probably hated me for a while, and perhaps you still do.
     I write, however, in hopes that you might consider typing a letter to Miss Peabody, ordering a taxi to Kansas City International Airport, and joining me in this modified cottage that's within walking distance of the beach.
     At night, I can hear the surf, and I would be the happiest man alive if you could too.
     Join me, Helen, and let us stroll the dunes together.
     Yours forever, Burt

_________________________________________________________________________






This story came in by e-mail:


Intercity Man of Mediocrity 
by D. Charles Florey
Kansas City Insurance Company
Human Resource Department


To Whom It May Concern,


I believe I am the right fit for your recent opening in the sales department.  My resume will show my more mundane qualifications, but I’d like to reserve this cover letter to detail the exciting aspects of my life and show you that I’m a far more intriguing person than just any old salesman.


Where shall I begin?  Well, I would like to note that I am considered “Resident” and “Current Owner” of my address by numerous establishments around town: the local tire store among these.  I’ve also been known to perform magic in the kitchen with nothing more than a few red potatoes and a bottle of balsamic vinegar.  


I’m extremely adept at changing light bulbs.  I found after dozens of failed attempts that you cannot squeeze it too hard or it will shatter in your hand.  I haven’t had one shatter in months.  I can also change a flat tire in under two hours and I have an excellent working knowledge of the city bus schedule.


I have been a stand in at numerous banquets and I’m quite good at drinking any kind of liquor, even beer or wine on occasion.  
I should say, too, that I’m a very good dresser.  I don’t want to sound arrogant or stress this too much, but I think it is important to note.  And I will, given the opportunity and as the need arises or rather presents itself, provide helpful hints on attire.  Why just the other day, I was walking down 3rd Avenue and I saw a woman wearing a hideous teal top with a lime green skirt.  I was sure she was color-blind and I told her as much.  Oh not in a mean way, but it needed to be said.  She didn’t thank me, but I told her “Your Welcome” anyway.  Needless to say, I wear a tuxedo on all occasions.  You can never be too well dressed!


As for hobbies:  I am an avid rock collector, I appreciate the difficulty of sorting items using multiple criteria (by color and alphabetically or even lexicographically - the possibilities are endless really), and I do love watching paint dry - gray paint is the best.


I hope this letter finds you well, and I look forward to prompt reply.


Cheers,


Burt Feathers

Flash Fiction Challenge: Clark Barr aka Young Master Newlin

Write a story about Clark Barr (aka Young Master Newlin) 
and Win the Drawing on the Right
Two Chances to Win!
The contest closes Monday December 13, 2010

Clark Barr 
(aka Young Master Newlin)
10"x8" oil and mixed 
media on masonite
Click on pictures to enlarge

The story you write should be a "Flash Fiction" which is a complete story in one thousand or fewer words.  Please post the story in the comment section, you will have to provide your name and an email address in order to be qualified to win or you can e-mail me at kmencher@ohlone.edu with your info.  There is a problem with how many characters can post (only about 4,000) so if you cannot post it.  E-mail it to me at kmencher@ohlone.edu

Go to my website for more contests: http://www.kenney-mencher.com/

Winning flash fiction stories will be integrated in with an exhibit in San Francisco at ArtHaus Gallery (April 8th for the reception).

The show is called:
Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs

The exhibit will include a series of 20-40 paintings and mixed media works ranging in size from 8”x10” to 18”x24” framed with thrift store and vintage frames.  In addition to the exhibited works ArtHaus is publishing catalogs signed by me and as many of the authors as possible.

Catalogs/books will consist of image of the painting with the text of the “flash story” surrounding the image.  If I can get the authors to come to a book signing/party, authors would sign their pages for some of the printed stuff.

We're going to have a photobooth for the show for participants to play with and vintage costumes.

Of course I'll send the authors free copies of the catalogs. I will announce the winners the day after the closing deadline for the competition. I'm planning on doing one flash fiction competition a week every Monday from now until April. 

(If the conditions in the side bar are not to your liking, I'm totally flexible.  Send me a contract that you like and I will mail it back to you.  I just don't want to chase people for signatures when I publish the catalog!)
______________________________________________________________
This was sent by email.  It made me laugh out loud.

BARR NONE by Stephen D. Rogers

Of all the things I bought from comic books -- the sea monkeys,
the magic tricks, the exploding pens -- the most interesting item
I ever, ever received was the human head.

First off, as soon as I unrolled the bubble wrap, I discovered
the head was real.  It wasn't plastic or rubber or painted cast
metal.  It wasn't some piece of junk made up in the ad to look
cool.  It was cool.

There I was, sitting in my boring room at my boring desk holding
an actual human head.  I poked his cheek, and the skin turned
white.

His eyes opened.  "What?"

"What what?"

"What do you want?  You didn't just wake me up to stare at me,
did you?"  He wrinkled his face to push his glasses back in
place.  "If that's all you can think of to do, hurry up and get
it over with because I was having a really great dream and really
great dreams don't happen every day."

I rotated his head.  "How are you talking?"

"Not so fast!  Keep whipping my head around like that, and I'm
going to puke."

"How can you puke?  You don't have a stomach."  I slowly tipped
him to examine the flat area at the bottom of his neck.

"Believe me, you don't want to know.  And you don't want me to
puke all over you, either.  I puke blue."

"Blue?"

"Yeah, it's a color.  Perhaps you've heard of it."

Exercising a self-control my mother said I didn't even have, I
returned to his earlier question.  "So what did you mean, what do
I want?  Can you, like, grant wishes or something?"

"What do you think, I'm just a talking head?  You don't think I
have special powers?"

"So you can make my wishes come true?"

"That's the idea, Einstein."

Considering that I could spin his head until he puked, he was
pretty sarcastic.  "The comic book didn't say anything about
granting wishes."

"You believe everything you read in a comic book?"  He rolled his
eyes.  "You must be some kind of moron.  You probably have a
medal for 'Moron of the Year' mixed up on your shelf with all
those models."

"That's right.  I'm so stupid I'm sending you back."

His eyes went wide.  "No, wait!  I think we got off on the wrong
foot, which is easy since I don't even have a foot.  My name is
Clark."

"Yeah?  My name is Return to Sender."  I plopped Clark into the
shipping box, and he went silent as soon as the flaps closed.
That would give him a chance to think about his attitude while he
bounced around until he puked.  Blue?

I taped the box, wrote "Cancel" above my mailing label, and ran
the package out to the mailbox.

Back in my room, I popped the bubble wrap, which took like an
hour and a half.

The second best thing I ever got from a comic book was the sample
pack of free postage stamps.  I collected those things for years.

Wednesday

Flash Fiction Contest: Benton and Eva Destruction

Write a story about Benton and Eva Destruction and Win the Drawing on the Right
The contest closes Wednesday December 8, 2010



Benton and Eva Destruction 
11"x14" oil on masonite 
with found objects

Click on pictures to enlarge

The story you write should be a "Flash Fiction" which is a complete story in one thousand or fewer words.  Please post the story in the comment section, you will have to provide your name and an email address in order to be qualified to win or you can e-mail me at kmencher@ohlone.edu with your info.  There is a problem with how many characters can post (only about 4,000) so if you cannot post it.  
E-mail it to me at kmencher@ohlone.edu

Go to my website for more contests: http://www.kenney-mencher.com/

Winning flash fiction stories will be integrated in with an exhibit in San Francisco at ArtHaus Gallery (April 8th for the reception).

The show is called:
Renovated Reputations: 
Paintings and Fiction inspired by Vintage Portrait Photographs
 
The exhibit will include a series of 20-40 paintings and mixed media works ranging in size from 8”x10” to 18”x24” framed with thrift store and vintage frames.  In addition to the exhibited works ArtHaus is publishing catalogs signed by me and as many of the authors as possible.

Catalogs/books will consist of image of the painting with the text of the “flash story” surrounding the image.  If I can get the authors to come to a book signing/party, authors would sign their pages for some of the printed stuff.

We're going to have a photobooth for the show for participants to play with and vintage costumes.

Of course I'll send the authors free copies of the catalogs. I will announce the winners the day after the closing deadline for the competition. I'm planning on doing one flash fiction competition a week every Monday from now until April. 

(If the conditions in the side bar are not to your liking, I'm totally flexible.  Send me a contract that you like and I will mail it back to you.  I just don't want to chase people for signatures when I publish the catalog!)

Go to my website for more contests: http://www.kenney-mencher.com/

_____________________________________________________________
This was sent by email
Benton and Eva Destruction by D. Charles Florey

Three inches of dirt.  That’s all it takes to cover anything up, three inches of dirt.  That was Benton’s motto and it served him well those thirteen years he and Eva robbed banks together.  
He had a thing about him that wasn’t quite right.  The teachers in grammar school had a name for it, but hell if he could remember what it was.  All he knew was that he couldn’t write so well.  Always writing something backwards or using the wrong letters.  He liked to draw though and he fancied himself quite good at it too.  
Eva was a minx.  Got anything she wanted, that Eva.  And the first thing she wanted, from the minute she laid eyes on him, was Benton.  She couldn’t resist him, she was drawn to him, and he didn’t have a prayer at ditching her, well...
So he had this chip on his shoulder from the day he learned he wasn’t all that bright.  At least that’s what the teachers would tell him and his parents.  Then his pa would take the switch to him, because that’s what he figured he needed.  He certainly wasn’t going to help Benton with the arithmetic or learn him about Gulliver and his travels.  That wasn’t the sort of pa he was.
At twelve, Benton stole the family Buick and left town.  He had to tie a brick to his shoe and sit on two bags of feed just to reach the pedals and see over the steering wheel, but he reckoned he had learnt about all that switch and those teachers were gonna learn him.
Eva was sixteen when he met her.  She was a waitress at the only diner in a town too small to mean anything, except to them two.  
He’d been at it for three years when they met.  Robbing and conniving for every nickel he could, and he was good at it too.  And he knew he was good at it.  A fortune teller once told him as much when the card of the bear track appeared.  The animal that takes what he wants asks not for permission.  So to hell with the teachers, teaching reading and writing and arithmetic, who needed that?  They should spend more time learning about the kids, fostering their natural talents.  If they had with Benton, they would have learned that he was a fine thief, the dandiest around.
And Eva wasn’t half bad herself.  Her ma called her a klepto, whatever that meant.  All she knew was she liked things and she took what she liked.  It seemed right and natural, the proper thing to do.  Eva didn’t see anything so wrong with it, and neither did Benton.  And that’s why she loved him, because he just loved her.
They bedded and pilfered about until they were twenty-two, the pair of them.  They knocked off liquor stores and grocery stores with guns or knives whenever they felt like it.  But most of the time, Eva just liked taking things from the stores.  
“Why go and trouble the folks runnin’ the shops and scarin’ them half to wit, Benton?”
“‘Cause we need the money Eva, we can’t go livin’ off the screws and hammers you swipe at every hardware store.  We gotta eat, you know.”
“I take food too.”
“Not enough, princess.  You know that.”
“I know, I just don’t like scarin everyone.”
They got married before anything sexual happened between them.  It was Benton’s idea mainly.  He was the sentimental kind, the type to draw her all sorts of pictures when he could steal a few moments away from her.  She liked to stick close, didn’t like being alone.
So it was especially hard for her when he wanted to do a job without her. 
“It’s a bank, princess.  These fellas wanted me to come along.  Not you.”
“But what will I do?”
“You gotta stay here and wait for me.”
And wait she did.  Her mind spun wild with thoughts of Benton and his pals.  They took him from her.  Who were they to do that?  She thought as she watched a Blue Jay outside their apartment window construct a nest, twig by twig.  
She waited until the nest was full of eggs, just a few days, but a lifetime without Benton.  When the bird had flown off to do whatever birds do, Eva climbed the tree, inched up it like a worm, and she took that nest and she dumped it out.  The eggs cracked on impact.  Then she took the nest inside and put it in the cupboard.  If she couldn’t have Benton, that Jay couldn’t have her nest.  
Benton came home that night.  He dumped bags of money on the bed and they made love in it.
“Never leave me again.”
“I promise.”
They buried most of the loot in the backyard under three inches of dirt.  “That’ll make it easier to find, you see.”
“Ok, my love.”
Together, they heisted.  Benton showed her how, and she learned quickly.  She didn’t care anymore about scaring people.  In fact, she liked it.  At one bank, she even took a small toy from a boy: a die cast knight in shining armor.  “This is for you my love,” she told Benton.  The boy cried, and she smiled.
Benton grew concerned.  His goal was always simple - steal to live.  But Eva was turning into a monster.
The night in the desert that she killed an eagle just to pluck a single feather from it and give it to Benton was their last night together.
“That’s the symbol of freedom, Eva. You can’t kill an eagle.”
Eva gripped the gun, “But you love America, so I thought this feather...”
“Eva, you just can’t.”
“You don’t love me anymore.”  She held the gun to her head.
“No, Eva!”  He tackled her, but it was too late.
Three inches of dirt was all he covered her with.  Three inches, so he could always find her again.
____________________________________________________________________

This was sent by email

TWO EGGS FROM THE SAME NEST by Dee Turbon

Two eggs from the same nest. That’s how she put it. That’s what we were, what we are. As close as that, so close we shared a bed when we were growing up, sneaking around the house so we wouldn’t be caught. Mom and dad had their own problems to deal with, always carping at one another, always worrying about money and how they’d make everything work out. So me and Eva, we had space and time to ourselves, and no one looking over our shoulders to make sure that what we did was right.

It got so that I looked forward to the star-startled dark and the games we’d play, dressing her like she was a doll and calling her princess and I was the prince or the knight in clink-clank armour, and dragons I slew, and all for Eva’s love or her kisses. Just a game to begin with, all in our heads, those swords and those dragons and those gift-kisses, and Eva felt left out, standing pretty at the dark edge of our imaginings, chained and waiting to be rescued, or dropping a silk scarf for the knight to fasten to his lance before battle.

‘I want to be the knight,’ she said. ‘Once, I do.’

But I told her she was a girl and that wasn’t how it was in all the stories, that it was against the rules.

‘Then the stories are all wrong,’ she said, ‘and the rules should be broken and the games should be more real.’

And I think that was the start, of everything, and the beginning of the end, too.

I was the dragon some nights, and some nights it was Eva, and we wrestled each other on the floor of her room and sometimes the dragon won and sometimes it didn’t. She was like an animal when she started, fighting for real, and my clothes were torn into ribbons and she scratched my skin and afterwards licked the wounds clean, really licked them, and rubbed her spit into the cuts. And once she bloodied my mouth, my lip split against her hard thrown fist, and she kissed me, sucking-lip to lip, and she said my blood tasted of iron on her tongue.

Then too old for dragons and princesses and still we fought and her breath hot on my face and she broke the bones of my fingers once, and afterwards she said she was sorry and she stroked the tears from my face with the tips of her fingers, gentle as feathers brushing against the skin, and she kissed me and it was worth those broken fingers for what she did afterwards.

‘We mustn’t tell,’ she said. ‘Not ever. And that’s a rule we can’t break. Like secrets sworn in blood.’

And there was blood on her sheets that first time.

Two eggs hatched in the same nest, that’s how she put it, and that’s what we were.

‘Just when we are alone, just here in the dark of ourselves, just then,’ she said.

And her favourite story was the one about Pandora and how she opened a box that held all that was evil in it and opening the box set those evils free and they multiplied to fill the whole world and would never again fit back into that box. She had a picture of Pandora on the wall above her bed, and she said what we did in her room was like being in that box and if we let it out the whole of our world would be crushed, and she had a scuttle black beetle that she’d caught in a jar just so she could show me what she meant, and she tipped it onto the wooden floor and squished it flat with the dance-twist heal of her foot, all so I could see what a crushed world would be.

‘Swear,’ she said.

And I did.

But swearing made no difference, not in the end. Came a day it was suddenly no secret. We got careless. Eva’s door left unlocked one night, maybe other nights, too, and sleep a little thicker on us than it was before, and our parents standing in the near-light of morning and what they saw was an abomination, that’s what they said. And they went to church together, speaking with the one soft fright-voice, and they told the minister and asked him what they should do. And he said they should pray for our souls as he would.

Two eggs from the one nest and they sent me away, far away, and Eva was just a voice in my head ever afterwards, fighting to be heard, dragon’s tooth and dragon’s claw as only Eva could fight, but no knight to rescue her from the dark she fell into, and mad she became, that was what they later said. Eva, all her screws loose, and she was right about Pandora’s box, for the evils multiplied beyond reckoning, till she could bear them no more, and at last she ran away from everything.

They say she was on her way to me when she was hit by the car, and I swear I knew before ever they told me, we were as close as that.  
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WHEN WISH UPON A STAR
Stephen D. Rogers

"Starlight, start bright, first star I see tonight.  I wish I
may, I wish I might, get the wish I wish tonight.  I wish that
you are my shining knight and I am your princess, waiting to be
saved so that she can reward her hero.  That like birds of a
feather we build a nest to start a family.  That you're not so
chivalrous that you forget to be a tiger, a lion, a big old bear.
That's what I wish.  What do you wish?"

That I get screwed tonight which seems really, really likely. 
"What you said."

Sunday

Flash Fiction Contest: Dr. D. Mencher

Write a story about Dr. D. Mencher and Win the Drawing on the Right 
The contest closes Monday December 6, 2010

Dr. D. Mencher 
16"x20" oil, graphite on paper, 
and mixed media on masonite

Click on pictures to enlarge

The story you write should be a "Flash Fiction" which is a complete story in one thousand or fewer words.  Please post the story in the comment section, you will have to provide your name and an email address in order to be qualified to win or you can e-mail me at kmencher@ohlone.edu with your info.  There is a problem with how many characters can post (only about 4,000) so if you cannot post it.  E-mail it to me at kmencher@ohlone.edu

Go to my website for more contests: http://www.kenney-mencher.com/

Winning flash fiction stories will be integrated in with an exhibit in San Francisco at ArtHaus Gallery (April 8th for the reception).

The show is called:
Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs

The exhibit will include a series of 20-40 paintings and mixed media works ranging in size from 8”x10” to 18”x24” framed with thrift store and vintage frames.  In addition to the exhibited works ArtHaus is publishing catalogs signed by me and as many of the authors as possible.

Catalogs/books will consist of image of the painting with the text of the “flash story” surrounding the image.  If I can get the authors to come to a book signing/party, authors would sign their pages for some of the printed stuff.

We're going to have a photobooth for the show for participants to play with and vintage costumes.

Of course I'll send the authors free copies of the catalogs. I will announce the winners the day after the closing deadline for the competition. I'm planning on doing one flash fiction competition a week every Monday from now until April. 

(If the conditions in the side bar are not to your liking, I'm totally flexible.  Send me a contract that you like and I will mail it back to you.  I just don't want to chase people for signatures when I publish the catalog!)
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Deliberations by Matt O'Malley

Kenny had found David’s diary and the manila box of small mementos he kept locked away in his study and the look of horror David saw on his son’s face when their eyes met that cold November morning told David all he needed to know.

And there was no sense in yelling at the boy. It was too late and beyond that. All that was to be known was known. David merely walked over to him, took the diary from his hands and cleared the desk of the keepsakes Kenny had placed on David’s work desk. He then carefully, solemnly, placed everything back into the manila box and into the desk drawer. David outstretched his hand and Kenny placed the desk key that David had inadvertently left in the open, into David’s palm.

The afternoon was spent in silence. Kenny had moved a chair some three feet in front of the living room television and sat catatonic, glassy eyed and motionless as David watched him from the comfort of the living room couch, deep in thought.

Evening and a tasteless cold dinner failed to fill the void David felt in the pit of his stomach as he pondered the situation. His son’s eyes were still filled with horror and were now shifting, restless, piercing as he sat across the dining room table. His son’s demeanor reminded him of the caged laboratory animals just before they were to be pulled for an experiment. They always seemed to know what was coming next. David realized he had to do something and it was to start with a sleeping pill that took until ten that night to take effect.

Doctor David Mencher carried his sleeping son into the child’s room, tucked him into bed and then went down the stairs to his study where he poured himself a glass of bourbon and retrieved the manila box and his diary. He scanned through the pages until he found the page that listed names of those who had died by his hand. He considered each and every name, especially those names that belonged to males on his list; all of them who had landed on this list due to no fault of their own, or David’s. Each one of the men had just found David in a compromising position with one of the women on the list; just a matter of them being at the wrong place at the wrong time. Similar to the two names he was about to add to the list.

With a pencil, David now listed Mark Nelson, the neighbor who was asking about the woman he saw entering David’s house the other day, the woman noted as missing on the evening news, and Kenny Mencher, his own son. He pondered these last two names, then clenched his teeth as he rewrote Kenny’s last name in blocky letters and underlined it. He also crossed out Mark’s name “It ends here,” he said under his breath. He then reread all the names out loud and placed a check at the end of each name except for the last two.

From his study’s mahogany bookshelf, David pulled a book that had been made a tomb to hold a syringe and a small clear vial. He filled the syringe with the contents from the vial then placed the vial back into the book and the book back into the bookshelf. Slowly he climbed the stairs to Kenny’s room where the opening of the bedroom door created a rectangular coffin of light that stretched from the hallway into Kenny’s dark bedroom.

David stepped into the light, his frame filling the rectangular space as he stood at the head of Kenny’s bed with the syringe in his hand. He pressed the syringe’s plunger and a drop of clear liquid clung to the tip of the needle. He looked at his son, the covers across his chest rising and falling with each breath. He tried to console himself with the thought that we all eventually die of some sort of heart disease or cancer.

David clenched his teeth and felt for a vein. It was easy enough to find. Years of practice makes perfect. He emptied the contents of the syringe before it fell from his hand and to the floor.
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Another great story sent in by e-mail!




Entry for the Doctor D. Mencher contest (no title):
 by Luz del Sol
 
Act One, Scene One
Talking on the phone.

Lisa: Don't, I hear he's constantly under investigation.
Clara: I have to! You know that Kenney needs this operation, and I can't afford to go to anyone else!
Lisa: But, Clara, he's unlicensed, he works underground. There have been rumors that many people have died; that he killed them! You can't trust your son's life to this man, can you?
Clara: It's not like I have much of a choice.

Act One, Scene Two
Dr Mencher's apartment. There are photos and newspaper clippings covering the walls, little furniture.

Dr Mencher: Yes, hello? Who are you?
Clara: (From offstage) Clara Newman. We spoke a day ago; you can operate on my son?
Dr Mencher: Shh! Goddammit, woman. Yes, yes. Okay, okay, come in.
Clara: Come on, Kenney. (Enters with Kenney.)
Kenney: Mom-mee, I wanna lay down.
Dr Mencher: Oh, my boy, you'll be able to lay down soon enough. Soon enough.
Kenney: Mom-mee, that man's scary.
Clara: Hush, Kenney, he's going to help you get better.
Dr Mencher: Yes, yes, I am. Right this way. Please. And goddamit, keep your voices down!
Kenney: Sor-ree.
Dr Mencher: Ma'am, you have to wait here.
Clara: Why? I want to be there!
Dr Mencher: No, you can't be. That's why I said you have to wait here. Goddamn...
Clara: No, this is important! I want to see what you're doing to my son!
Dr Mencher: Then go look at pictures in a medical textbook! You. Stay. Here!
Clara: (glares)
Dr Mencher: Come along with me, Kenney.
Kenney: Mom-mee, I want to stay with you!
Clara: See?
Dr Mencher: My God! Kid! No, you come with me! Woman! You stay here. That's how it works! (Pulls Kenney offstage.)

Act One, Scene Three
The operating room. There is an operating table and a small cart with tools on it. Dr Mencher wears a surgical mask, gloves, and scrubs.

Dr Mencher: Okay, boy, you hop up on this table. (Kenney lays down on operating table.) Okay, we need to knock you out before we start operating. This may hurt a little. (Injects Kenney, causing Kenney to scream.) Oh, shut it, boy! Do you want that goddamn woman knocking down my door, just because you can't handle a little prick?
Kenney: (sniffs) I'm sor-ree.
Dr Mencher: Yeah, yeah.
Kenney: (Falls unconscious.)
Dr Mencher: About damn time! Now, we're going to need.... Ooh, first we'll be needin' this baby. (Picks up large saw.)

Act One, Scene Four
Dr Mencher's apartment.

Clara: (Looks around at pictures, newspaper clippings. Anxious.) Hm, it looks like he has quite the reputation. (Picks up newspaper clipping. Reads from it.) 'Doctor Dwight Mencher, surgerical professor at Ana College, School of Medicine, recently removed a tumor from the brain of the elderly Betty Million, saving her life. In just one month, he has saved three other lives, and his research at the university is what many of his colleagues call “breakthrough.” “It's really amazing to see him work,” says James Pacheco, a student at the university. “I help him out with research sometimes, and, man, he's such a genius, it's actually kind of hard to keep up.”' Well, that at least can quell some of my fears. Oh, but what's this one? (Picks up another newspaper clipping.) 'Dr Dwight Mencher, the renowned surgical professor at Ana College, was recently fired due to allegations of malpractice after two of his patients died on the table.' Oh my God! Why would he keep that out here for people to see! My poor baby! He's going to kill my baby!
* * *

Margaret looked up from the script. “Let me guess, he kills her poor baby?”
“No. I mean, c'mon, look at how many pages there are left in that thing, you think it would really end like that?” Alvin, the boy who had brought the script of A Whiff of Death to Margaret, stated.
“Fine. How's it end, then?” Margaret asked, clearly not even considering this play for their fall performance.
Alvin, however, was never good at reading people, and thought the girl was curious about the sci-fi thriller he'd shown her. “Well,” he began excitedly, “later on, Clara finds this picture of this kid. She's all, 'Hm, I wonder what this is.' Then Mencher comes out, and he goes, 'Ah, that was my son. He died of a liver infection. I couldn't save him,' and it goes into this big monologue. And Clara says, 'Oh, that sucks,' and Mencher's like, 'Yeah, it does,' and he just whips out that big-ass saw from earlier, and kills her. Then there's another monologue. Turns out, Mencher was fired and had his medical license revoked because those two people he killed on the operating table? Yeah, he killed them on purpose. He's like, 'Oh, I gotta save my boy,' and he takes their livers to give to his son. But then his son died anyway. And Mencher totally snapped. He preserved his son's brain, and now every single person brought in to him, he kills them and takes a healthy organ from them. And now he's transplanted every organ into Kenney's body, and he's traded Kenney's brain for his kid's brain, so now Kenney is, like, totally his some replacement son. Seriously! And then later on, like in the end, Mencher's just like, 'Son, it's been a long time.' And the kid's like, 'Yeah'. And it's freaking mind-blowing!”
“What? That's illogical. It's scientifically incorrect! How could that even work? Anyway, it seems moronic,” Margaret said nonchalantly. “How about we do Wicked. I hear it's a hit.”
“No! A Whiff of Death is fantastic!”
“It's melodramatic bullshit that no one will pay to see. It'd be wise to get rid of this.” She tore the script in half, giving rest to the horrible legacy of Doctor D. Mencher. May its pages never be seen again.

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Baron Samedi by Christina Jeter

Just because I say that I am sorry doesn’t mean that the hurt I cause someone immediately goes away.
If we are all made in GODs image then we must also possess his power and in having so, it wasn’t enough for me to use it for his well being but just like the devil and I chose to use it against him. Now that I am condemned forever I have nothing but time to relish in the fact that I am death. My name is Dr. D. Mencher and I have a story to tell and currently being the mood I am in is good I want to let you know a secret that can change the human world.
You may wonder why I chose to associate myself with people of different backgrounds and lifestyles, the reason being is because I can understand the fact of what lead them to the position they are currently in state. Many people only want company they can benefit from and can’t handle those who don’t want to be entertained by their company. For me I infect those who don’t want me like second hand smoke and corrupt the moral of the self proclaimed righteous like the intoxication of those who drink rum.
My name means symbolizes the beginning and with that I am the giver and taker of life and death and with the decision to carry you into the underworld or keep you in the morality of life I say don’t become brainless like me. We are all witness of some in justice and even thought we do not stick up for it you should not stand for it. I have seen the innocent betrayed by being taking advantage of and instead of staying true to their naïve nature they have developed and become hateful to those who have destroyed their path.
I know my wisdom can cure any mortal the reason being that we are all being tested and sometimes when we fail we don’t get a second chance. They say in order to be old and wise you have to be young and careless. The blankness you see in my eyes is not because I don’t care; it is because I have nothing to care about. The actions you take against someone be very sure you can take the results they have to give back!
Being Dr. D Mencher my over all opinion is always seen to be right or do you still question me with a second opinion?

Written By:
Christina A. Jeter