Showing posts with label bookcover illustration. Show all posts
Showing posts with label bookcover illustration. Show all posts

Sunday

Bad Juju made a clean sweep at the 2011 Spinetingler Awards: Best Cover and Best Short Story Collection

So my cover and the stories won the award!

http://www.spinetinglermag.com/2011/05/01/2011-spinetingler-award-best-short-story-collection-winner/#more-10422

I'm looking for a publisher or agent who works with picture books for adults.

I'm looking for an agent or publisher (or just some advice) to help me with this project. A whiff of Edward Hopper, a blast of Mickey Spillane, a rrowf of David Lynch, Renovated Reputations and Manufactured Memoirs is an illustrated anthology of short stories in which Griffin and Sabine collide with neo-noir fiction.  This book has humor, sex, and a "whack  a mole" story.


Renovated Reputations is the result of an internet blogging project in which paintings and assemblages based on vintage and antique vernacular photography are the inspiration for short fiction. 

The blog, which gets between one hundred to two hundred and fifty visitors a day, is the nexus point.  Each week between seven to ten authors from the U.S. and U.K. submitted short fiction of one thousand words or less compete to win an original work of art that is the basis for the story.
 

The stories and assemblages are then coupled with great graphic design and photo illustration to create an environment that compliment the two. The book is a collaborative joint between myself, an artist with a national reputation and proven track record.  (I’m also a professor of Art and Art History at Ohlone College in Fremont where I also am the director of the Louie Meager Art Museum and the author of the text book Liaisons, Reading in Art, Philosophy and History.  The authors are a dirty dozen or so such as author professor Mark Brosamer,  pulp author Steven D. Rogers of PulpFest fame, Dreamworks animator/cartoonist Brian Newlin, columnist Gigi De Vault and others. 


The impetus for this project is based in a solo show of paintings in I am having at ArtHaus Gallery in San Francisco in April 2011.
 

The show is called Renovated Reputations: Paintings and Fiction inspired by Vintage Portrait Photographs.  If we work fast we can market the  book in conjunction with the exhibit. 


Each story is a unique standalone entity – combined in
one volume, they’ll kill ya!
Download
it as a PDF.

Sincerely (I mean it!)

Prof. Kenney Mencher
Department of Art and Art History 
Director Louie Meager Art Gallery Ohlone College, 43600 Mission Blvd. 
Fremont, California 94539 
Phone: (510) 979-7916  http://www.kenney-mencher.com/
http://kenney-mencher.blogspot.com/

 
Click on images to enlarge them
Here are sample pages from the book:





These
are some of the paintings the stories are based on.





Isabelle Ringing 20"x16" oil and mixed media  on masonite panel



Betty Million
11"x14" oil and mixed media on masonite

(wishbones, bookpages, ephemera)



Chastity Beldt
10"x8" oil and mixed 
media on masonite



Saturday

The BookDoctors!

I went to an awesome seminar today at Stanford.  Arielle Eckstut and David Henry Sterry run a seminar in which they teach you how to pitch a book, find an agent, and in general how the publishing industry works.  You should check them out!


Here's the link to their site:
http://www.thebookdoctors.com/



You should also check out their Pitchapalooza!

Friday

"Morry's Memento" story by Brian Newlin painting by Kenney Mencher



"Morry's Memento" written by Brian Newlin painted by Kenney Mencher

"Could you come in here for a moment, Stephenson"?
 
"Of course, Mr. Abbot. I'll be right there.", I replied. Rising up from my chair, I wondered why Mr. Abbot wanted to see me this time. The man had always made me nervous, especially after his last visit to my workstation just days before. "A cluttered desk reflects a cluttered mind. And cluttered minds are not what we need here at United Conglomerated Industries.", he had snapped, staring at me with his steely blue eyes.

"Yes, sir. No, sir." I had replied, quickly removing the framed photograph of Lillian and the "World's Greatest Dad" coffee cup from the desktop.  "You're a jerk, sir.", that's what I wished I had said. But I hadn't.
 
"Please shut the door behind you.", said Mr. Abbot. As usual, his hair was impeccably combed to the side, and his monogrammed handkerchief was folded with military precision to a sharp square. Mr. Abbot had moved into his own office after being with the company for only 2 years, swiftly rising up the ranks to a Regional Manager position. I still remember the day he took over Bud's job, and how quickly he had cleared out every stick of furniture aside from the desk and chair and painted the walls hospital white. I been summoned into this stark office dozens of times over the past year, and was mildly shocked to see something new: an unidentified man sitting in one of the two folding chairs that had been set up in the room.
 
"Thank you for joining us." The older man motioned to the chair next to his. As I sat, he leaned forward and I caught a whiff of Aqua Velva and stale cigarettes.
 
"I, ahem, you're welcome. What can I do for you?", I stammered. My mind raced. Had Mr. Abbot found an error in my last inventory report? Was this visitor from the Head Office, here to fire me? Despite no wrongdoing that I could think of, the penetrating gaze of these two men already had me feeling guilty.
 
"We're hoping that perhaps you have some insight on this.", Mr. Abbot replied, standing and sliding a piece of paper across his desk towards the stranger.
 
The man plucked the page from the desktop and held it up to me.
I squinted to make out the light blue symbol drawn neatly in the center of the otherwise blank sheet of typewriter paper. "Ahhhh...what is this? Some sort of game show quiz? What's going on here?"
 
"Let me explain, Stephenson. As you recall, Morry Greenberg was found dead in his office last week. Heart attack. Terrible shame, a great loss to United Conglomerated Industries.", Mr. Abbot responded.
 
I nodded my head. "Yes, I know. He was a nice guy. We bowled on the same league for years. You... you don't think I had something to do with his death, do you?"
 
"No, Stephenson. Don't be absurd. Morry was a dedicated worker, pushed himself hard. Maybe a little too hard, for a man his age. He was just about to unveil a breakthrough new product for the company, but his research was incomplete. When the cleaning staff found him on Tuesday morning, they found this on his desk."
 
"I still don't know what this has to with me, sir....", I shrugged.
 
Mr. Abott continued. "It seems as though he was trying to leave a final message for us, and it might be the only clue we have to deciphering his research notes. Now, take a close look at this symbol and tell us what you think it means."
 
The older man impatiently tapped the paper with his finger.
"Well, obviously it's the symbol for ohm, the unit of measurement for electrical resistance.", I said. "It's also the symbol for the Greek letter omega. One ohm represents the resistance in a circuit when one volt maintains a current of one amp..."
 
Mr. Abbot slammed his fist down on the desk. "Dammit, Stephenson! That makes no sense! We're a snack cake company, for God's sake!"
 
"I'm sorry, sir, but I don't know what else to tell you. Morry never spoke to me about his research, and without the rest of his notes as context, I can only guess...", I blurted.
 
"Enough. Get out, Stephenson. As usual, you're no help at all.", Mr. Abott snapped.
 
"Sorry, sir. If I think of anything.." I started, then realized that the two men had already forgotten me.
 
"Perhaps he came up with some sort of electrically charged cookie.. the 'Zapper'!...or maybe cupcakes that make your tongue tingle... ", whispered Mr. Abbot to the older man, who simply sat in his chair nodding.
 
I closed the door behind me and walked slowly back to my cubicle, pausing for a moment outside Morry's vacant office, wondering what it all meant. None of it made sense, and I realized that I didn't want to end up like Morry: alone and overworked, found dead at my desk. As I turned away, I glanced back to look at Morry's office one final time. The room behind the frosted glass door was dark and silent, but I was comforted by the familiar sight of Morry's cute young secretary still stationed behind her desk, reading a magazine and endlessly brushing her perfectly bobbed red hair.