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I'm Kenney Mencher. I'm an artist who left a tenured professorship in 2016 to pursue making art full time. This blog is about art, art history, with a emphasis on human rights. I make homoerotic art featuring bears, otters & other gay wildlife.
Wednesday
PROARTS INFO
I got the horse right here The name is Paul Revere
Hot Tips 16x20 inches oil on linen $195
https://www.etsy.com/listing/78320034/hot-tips-16x20-inches-oil-on-linen-by
NICELY
I got the horse right here
The name is Paul Revere
And here's a guy that says that the weather's clear
Can do, can do, this guy says the horse can do
If he says the horse can do, can do, can do.
(Benny starts singing his part at this time, while Nicely continues:)
Can do - can do - this guy says the horse can do
If he says the horse can do - can do, can do.
(Rusty starts singing his part as the time, while Nicely and Benny continue:)
For Paul Revere I'll bite
I hear his foot's all right
Of course it all depends if it rained last night
Likes mud, likes mud, this X means the horse likes mud
If that means the horse likes mud, likes mud
Likes mud.
I tell you Paul Revere
Now this is no bum steer
It's from a handicapper that's real sincere
Can do, can do, this guy says the horse can do.
If he says the horse can do - can do - can do.
Paul Revere. I got the horse right here.
BENNY
I'm pickin' Valentine, 'cause on the morning line
A guy has got him figured at five to nine
Has chance, has chance, this guy says the horse has chance
if he says the horse has chance, has chance, has chance
I know it's Valentine, the morning work looks fine
Besides the jockey's brother's a friend of mine
Needs race, needs race, this guy says the horse needs race
If he says the horse needs race, needs race, needs race.
I go for Valentine, 'Cause on the morning line,
The guy has got him figured at five to nine
Has chance, has chance, this guy says the horse has chance
Valentine! I got the horse right here.
RUSTY CHARLIE
But look at Epitaph. he wins it by a half
According to this here in the Telegraph
"Big Threat" - "Big Threat"
This guy calls the horse "Big Threat"
If he calls the horse "Big Threat",
Big Threat, Big Threat.
And just a minute, boys.
I've got the feed box noise
It says the great-grandfather was Equipoise
Shows class, shows class.
This guy says the horse shows class
If he says the horse shows class
Shows class, show's class.
So make it Epitaph, he wins it by a half
According to this here in the Telegraph.
Epitaph! I got the hore right here!
https://www.etsy.com/listing/78320034/hot-tips-16x20-inches-oil-on-linen-by
I got the horse right here
The name is Paul Revere
And here's a guy that says that the weather's clear
Can do, can do, this guy says the horse can do
If he says the horse can do, can do, can do.
(Benny starts singing his part at this time, while Nicely continues:)
Can do - can do - this guy says the horse can do
If he says the horse can do - can do, can do.
(Rusty starts singing his part as the time, while Nicely and Benny continue:)
For Paul Revere I'll bite
I hear his foot's all right
Of course it all depends if it rained last night
If that means the horse likes mud, likes mud
Likes mud.
I tell you Paul Revere
Now this is no bum steer
It's from a handicapper that's real sincere
Can do, can do, this guy says the horse can do.
If he says the horse can do - can do - can do.
Paul Revere. I got the horse right here.
BENNY
I'm pickin' Valentine, 'cause on the morning line
A guy has got him figured at five to nine
Has chance, has chance, this guy says the horse has chance
if he says the horse has chance, has chance, has chance
I know it's Valentine, the morning work looks fine
Besides the jockey's brother's a friend of mine
Needs race, needs race, this guy says the horse needs race
If he says the horse needs race, needs race, needs race.
I go for Valentine, 'Cause on the morning line,
The guy has got him figured at five to nine
Has chance, has chance, this guy says the horse has chance
Valentine! I got the horse right here.
But look at Epitaph. he wins it by a half
According to this here in the Telegraph
"Big Threat" - "Big Threat"
This guy calls the horse "Big Threat"
If he calls the horse "Big Threat",
Big Threat, Big Threat.
And just a minute, boys.
I've got the feed box noise
It says the great-grandfather was Equipoise
Shows class, shows class.
This guy says the horse shows class
If he says the horse shows class
Shows class, show's class.
So make it Epitaph, he wins it by a half
According to this here in the Telegraph.
Epitaph! I got the hore right here!
Culture Hall (Interesting I think)
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THE CULTURE OF CURATIONA curated selection of artwork from Culturehall with text by Cindy Rucker and Brad Silk |
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The
Culture of Curation is a segmented online group show that
works to cultivate freedom in its disclosure of linear choice. In this
form, it bears witness to its own limitations and lack of fixity. The
work featured in the eight segments do not have
any sole definition, but are grouped as they suit our thesis within the
given context. In creating an online exhibition, we realized its
inherent elasticity. When faced with our own decisions about creating a
more straightforward show, which we as gallerists
do every month, we elected to create eight individual shows and let the
viewer choose a path to follow.
While we are still acting as filter, we are able to pass on the freedom
of choice to the viewer, with the added element of play. By choosing
from the options laid out in the flow chart, a path is created that
leads to one of eight exhibitions making up the
complete thesis. While proceeding through the flow chart, the ability
to step back and make new choices remains, allowing the freedom to move
through the chart in reaction to the parameters set by Cindy Rucker and
Brad Silk as curators.
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Cindy
Rucker is a New York-based gallerist and curator. After working for
various Chelsea galleries for 6 years, she opened numberthirtyfive
gallery in a small storefront on Essex Street in the Lower East Side,
whose exhibitions have been featured in The New
York Times, Art in America, Time Out New York, New York and ArtReview
Magazine to name a few. After five years and a move to a larger space on
Attorney Street, she expanded her focus and opened Cindy Rucker
Gallery.
Brad Silk works as Assistant Director at Cindy Rucker Gallery in the
NYC. He also works as an Independent Curator and has shown with
Temporary Gallery, PS122 Gallery, Porter Mill Gallery, Projekt722, and
Art Connects NY. This Summer, Silk will be curating and
unveiling the permanent collection for Queens Community House of
Queens, NY. In addition to curatorial projects, Brad Silk is also a
featured writer on The Discerning Brute blog, where he writes about the
role of ethics and sustainability in the art world.
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About Feature Issues
Every month, we invite a curator to present four Culturehall artists who
surround an idea. On occasion we present an issue ourselves.
David Andrew Frey
Founder and Director
Founder and Director
Tema Stauffer
Curator
Curator
Tuesday
ARTSPAN news! Call for entries.
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Monday
Malcom Liepke a really fantastic artist!
Now at Arcadia Fine Arts
51 Greene Street New York, NY 10013
t: 212.965.1387
e: arcadiafa@aol.com
arcadiafinearts.com
A simply fantastic artist who is now showing at Arcadia Fine Arts. If you haven't seen Mr. Liepke's work before you are in for the most absolutely fantastic show ever.
This painter combines elements of John Singer Sargent with Velasquez
like bravura passages. I've heard that some people don't like the way
he stylizes faces and flesh tones but I think that's his strength.
There's an erotic quality to the faces and figures that in a way is almost how visual reality should be.
Artists choose to show the viewer how things should look. To change the focus of the viewer towards what the artist finds valuable. Liepke's counterbalancing curves in his figures. His lush painterly surfaces are a sort of cognate to the skin of the figure. Some things that reproductions don't show are his use of walnut oil to increase the viscosity of the paint and make the surfaces almost like a frosting that one might be compelled to dip there fingers into.
Even his male figures have an erotic languid muscularity that is
exciting and sensuous in a way that goes beyond just sex. Liepke just
finds the human form beautiful and I like the way he sees things!
51 Greene Street New York, NY 10013
t: 212.965.1387
e: arcadiafa@aol.com
arcadiafinearts.com
A simply fantastic artist who is now showing at Arcadia Fine Arts. If you haven't seen Mr. Liepke's work before you are in for the most absolutely fantastic show ever.
Artists choose to show the viewer how things should look. To change the focus of the viewer towards what the artist finds valuable. Liepke's counterbalancing curves in his figures. His lush painterly surfaces are a sort of cognate to the skin of the figure. Some things that reproductions don't show are his use of walnut oil to increase the viscosity of the paint and make the surfaces almost like a frosting that one might be compelled to dip there fingers into.
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