Showing posts with label film noir. Show all posts
Showing posts with label film noir. Show all posts

Saturday

The joys of monchromatic painting.

Over the years I've made a series of warm and cool monochromatic paintings.  Mainly because I felt like they really shared a lot with the film nor things I grew up with.  I thought I'd share some of them with you guys here:
 

If it Fits by Kenney Mencher original oil painting on canvas 16"x20"x1.5" inches

His Fuse was Lit, oil paint on linen canvas 14x11inches by Kenney Mencher

Fiasco, oil on canvas 18"x24"x.25" inches by Kenney Mencher

Steam, oil paint on linen canvas, 18"x24"x.5" inches by Kenney Mencher



Memory Game, oil paint on linen canvas, 24"x48"x1.5" inches by Kenney Mencher

Oration, oil on canvas 18"x24"x.25" inches by Kenney Mencher

New Tie, oil paint on linen canvas 20"x20"x1.5" by Kenney Mencher

Starlette, oil paint on linen canvas 20"x20"x1.5" by Kenney Mencher

The Life, oil on canvas 20"x30"x.25" inches by Kenney Mencher

Sub Urbans by Kenney Mencher oil on linen canvas 48x70x1.5


Visual Aids, oil paint on linen canvas, 18"x24"x.5" inches by Kenney Mencher

Saturday

“People always have secrets. It's just a matter of finding out what they are.” —The Girl with the Dragon Tattoo, by Stieg Larsson

Visual Aids, oil paint on linen canvas, 18"x24"x.5" inches by Kenney Mencher

Caption/Fiction Contest: Ends August 15th

Write a caption (one to several sentences) or a short story (under 1000 words) about this painting and and the best entry will win the watercolor.

 Hot Tips, oil on canvas 16"x20"
watercolor on Rives BFK approximately  11"x8.5"
This is based on the The Thematic Apperception Test, or TAT, is a projective measure intended to evaluate a person's patterns of thought, attitudes, observational capacity, and emotional responses to ambiguous test materials. In the case of the TAT, the ambiguous materials consist of a set of cards that portray human figures in a variety of settings and situations. The subject is asked to tell the examiner a story about each card that includes the following elements: the event shown in the picture; what has led up to it; what the characters in the picture are feeling and thinking; and the outcome of the event. 
So watch out what you write or maybe someone will think you're nuts!

Enter in the comments section
.

You may want to e-mail me with your contact info so I can send you your prize.  
kenney.mencher@gmail.com
Let me know if you want a catalog!


More contests on this blog and my website:
http://www.kenney-mencher.com/

___________________________________________________

This came in by e-mail:

Hot Tip by Patrick Nelson

"Looksee at the time, Pete!" The little man said in a panic. "Crimeny! If we's don't get ourselves to the church in a timely fashion, Mother Superior is gonna fry out livers and serve us to the poor at the soup line."
His borough accent was so thick, it seemed like he was literally chewing on the words before he allowed them to spill forth from his mouth. His comic expression as he did a double-take at his wristwatch was rivaled only by those old stars of vaudville. It appeared to any passers-by that he truly did fear for his innards in regard to their tardiness.
"See here, Antonio, we've an abundance of time before our scheduled rendezvous with the  dear woman." Said the big man standing beside Antonio at the newsstand.
Pietro's use of florid language was so odd for a man of his appearance yet it was eclipsed in its delivery by the fact that he also had the inflection of a native of the streets of Brooklyn and that he gave the impression of having a mouth full of buttered pasta. In addition, his voice was so soft-spoken that the casual listener would have to strain to hear him. If death spoke aloud to you, he would have Pietro's voice.
He glanced at his watch much less gravely than his friend and sighed heavily.
"Antonio, you allow your last encounter with the woman to color your psyche dourly." He whispered. "If perhaps you would have endeavored to heed her warnings about the last task she set before you, you would not be in such a state about our meeting with her today."
He went back to calmly reading his racing form.
Antonio just stared at his friend in disbelief. After a few seconds, he closed his slack jaw and said in a high, squeaky voice, "For Pete's sake, Pete! She so much as told me that I was on the short list and headed for a pine box if I screwed up another job!"
Pietro's girth jiggled up and down slightly and he shook his head almost imperceptibly. These were the only subtle signs that the big man was laughing for he didn't smile when he said, "Antonio, Antonio... You have no need to fear any such thing from the Reverend Mother Elizabeth Cecile."
Pietro was, unlike his friend, not afraid to speak her full name. When anyone dared to discuss her on the street, it was in hushed tones and with sideways glances for she was generally more feared than the deadliest gangsters in all of New York. To speak of her at all was the work of fools who wanted to shed their human toil. Pietro was no fool. He just knew where he stood in the scheme of things, "I need not remind you that she would dare not raise a finger to harm you as I would not allow it. I ask you, who in her employ would be the individual she entrusted with dispatching you?"
Antonio removed his hat, scratched his head and thought that over.
Realizing his slow-witted friend was not coming to any conclusions, he answered for him, "That, Antonio, would be myself. You must by now realize that I would not do such a thing to you or for that matter allow any other person to threaten your life."
This seemed to calm the little man slightly.
 "Yeah, I guess you're right, Pete. It's just sometimes she's so, so, you know?" Searching for the right word, he finally spat out "Mean!"
"Indeed." Was Pietro's reply.
"It's not like I wanted to drop the guy off the bridge!" Antonio protested. "He was heavy! And then those bats were swooping down from the top of the bridge and I coulda swore one got in my pantleg..."
"As you've said multiple times," Pietro interrupted. "But the simple fact remains that the Nun wanted the man scared--not dead."
"Yeah! Don't I know it! But if he just would've went in feet first, he wouldn'tve broken all those bones and he mighta pulled through."
"Ah" Pietro mused, " If 'would-haves' could only become 'dids' then the 'have nots' would have become the 'do haves'."

Thursday

The Winner of the Last Flash Fiction Contest is D. Bellenghi


Buy this painting now on Etsy for $200.
Butterfly by D. Bellenghi
   

In the beginning, she was so different. I met Carlotta at a gallery opening my insurance company was co-sponsoring as a community project. I will always remember the first time I saw her....She stood alone, a mysterious aura surrounding her. She was as delicate as a rare exotic butterfly. She wore a silk dress in soft, muted colors. Her eyes were deep blue pools that I could not look away from. She was enchanting in a quiet, demure way. She was exquisite and I was captivated.

We married three months later. We settled happily into marital bliss, both of us very much in love, I thought. After several months there were small changes in Carlotta under the guise of her forgetfulness. There was not enough time in the day to complete any errands for me. Any business engagements she had previously agreed to attend with me became lapses of memory. At first, I took no notice. It was the sort of thing one dismisses. I loved her and my butterfly was all I saw.
Over time this pattern began to disturb me. When I sought any kind of information or answers, Carlotta became uncomfortable and we would argue. My questions to her seemed to be accusations. With unsure footing on my part and quick turns and maneuvers on hers, I was inevitably put on the defensive. As our relationship matured, I could see that my little butterfly had come out of her cocoon and found more than her wings. She could be moody and she became plagued with migraines. The migraines sent her to her bed, not to be disturbed. Over time, the veil fell from my eyes but not my heart.

There are periods of time that Carlotta is warm and loving and even flirtatious with me. She teases me, laughing full heartedly, her eyes bright and twinkling with mischief. I have tried so many times to keep this Carlotta with me. But she vanishes at will. Even now, Carlotta is my consuming passion. It has made me weak and her powerful; the grand puppeteer pulling the strings.

    I sit behind her in her dressing room and watch and wait. I have been waiting over a hour as she readies herself for the evening. She takes her time. There is no need to rush. The world will wait as I do. I do not mind the waiting. I am watching beauty. Carlotta does not acknowledge that I am here. I see her eyes flick from her reflection in the mirror to me and then quickly back to her. She tries to conceal it but if one knows what to look for....there, the slightest cruel turn upwards of her lower lip.  It is wisp of a smile that attests she is relishing her power and control. Even now, in this stinging moment of triumphant for her and pain for me, she is perfectly beautiful. It is all I can do to keep myself from taking her in my arms and kissing her until she succumbs to my love. She would detest me touching her that way. She would fly into one of her rages. She would leave me here and go to the party or not. She could be gone for days, doing whatever she pleased, with God knows who, just to put me back in my place.

When Carlotta is acting this way, she is like a spider, a spider that cares for no one. She belongs only to herself. She has allegiance to no one.  She cares only if it pleases her. She is free but I am not. I am caught in her web, waiting. She keeps me arms length, just to taunt me. She pushes me to the edge of madness and then because she is bored has pity on me. She acknowledges my mere existence with an unexpected thoughtfulness. The tormented prey is saved for another day as I wait for the butterfly to return. Some say there is a thin line between love and hate. . .

________________________________________________


Yes I was thinking just a touch about “Double Indemnity” and “Criss Cross” when I made this painting.  Part of me expected that everyone would go with this and that each of the females would be a femme fatale.  This wasn’t always the case but a lot of the authors were on the same pulp page with me.



Three noir pieces with unusual and clever endings were, “Making up” by Stephen D. Rogers, "Latrodectus Hesperus" by Marlin Bressi and “Strength in Numbers” by Elisa Bandy.  These three strong stories referenced the ideas in the film “Double Indemnity” and other noir classics, but took some agreeable detours from the initial inspiration.  I know that some people like a total off the path trip when they read a story, but I think the painting was begging for some ingredients of the pulp fiction formula.



Each author chose all the satisfying components of a pulp fiction tale with a few well thought out surprises.  Bressi turns the table on our expectations because we all have an idea about the ladies in these stories and he upends this.  Rogers in particular played with dialog that is almost quotable.   Bandy took the characters to a place I thoroughly did not expect.  I think that you’ll be like where they take things. 



Holy moley!  Talk about complexities and a can of worms, The Letter by Anthony Pino and "Get Up and Go" by Debbie Weiss takes the whole love triangle thing to the next level.  Both stories read like a treatments for a film noir scripts and this is a plus.   It’s kind of interesting how the characters in both stories were tied up in their situations, one had a kind of Alexander cutting the “Gordian Knot” while the other was a bit of a slow thoughtful solution.



The winner (D. Bellenghi) was not so much a story with a plot but an exploration of themes.  For me I was able to think in depth about Bellenghi’s “Butterfly” because of the exploration of both characters’ flawed characters.  “Butterfly” was partially based in the myth of “Echo and Narcissus” looked at how some people “love.”  I particularly liked the Ovid like imagery concerning insects.  A little Kafka a little Ovid Bellenghi deals with several types of metamorphoses.  In a way, it was the story that had the least amount of plot but made me think the most.



If I had two drawings I’d send one for “A Girl Would Have to be Nuts” by Patrick Nelson.  It was so “Thin Man” in attitude and so unanticipated by me that I completely dove into the main character’s head.  While I was engaged in the dialog and trying to figure out the relationship between the two characters, bam!  There is a fully developed story arc!      

Read them all here:
http://kenney-mencher.blogspot.com/2011/06/new-flash-fiction-contest.html


For more contests visit my site:
http://www.kenney-mencher.com/

Friday

Bad Juju Cover Nominated for an Award

Just bragging that my cover for "Bad Juju" was nominated for a 2011 Spinetingler Award for best cover. Here's the link: 
http://www.spinetinglermag.com/2011/03/31/2011-spinetingler-award-best-cover-nominees/

"Bad Juju" by
Jonathan Woods was also nominated for best crime short story collection.

Tuesday

Luke N. Goode Competition Winners! Matt O' Malley and Ron Slattery

Luke N. Goode 10"x8" is for sale for $220 on Etsy
Luke N. Goode by Ron Slattery
He died alone. What family he had... descended like vultures upon his house. They took everything of value. The rest was consigned to an estate sale company. The bones of his life were about to be picked clean.

I knew him as a good neighbor. Quiet, reserved. He carried dignity like an umbrella. It was just something he used when needed. Small deeds that impressed the working class folks on our street. He would give the kids a quarter. It always made them smile.

The day of the estate sale, we crossed the street to join the line of buyers. There were a lot of people in front of us. The company was letting them in 10 at a time. We waited on the sidewalk. Our number was 32.

While we waited, I had time to think about Mr. Good. To me, he always seemed above the neighborhood. Not a snooty attitude... but more of a man who has seen things that would be hard to describe to the working man. I heard rumors that he was once lived in New york and worked as actor.

As I stood on the sidewalk,. I felt like an patron waiting to see a Broadway play. We waited in line to see what was inside. Some came to seek treasure, others were people from the houses on the block. We all wanted to know more about Mr. Good.

Our number became important and we were allowed in the house. The antique dealers and savvy sharpies had stripped all the valuable items. The house looked ravaged. The hyenas had fed. The scraps were left for the rest of us.

In the bedroom... on a dresser... I found a small framed picture of him. It had a brass frame that looked like a matinee curtain. Inside was the man we knew as a neighbor. I brought the small item up to the card table at the check out. The estate sale people looked at me with boredom. I didn't even ask a price. I just held it up to face them. One sighed "How about a quarter". I dug in my pocket for the change.

I got outside and looked at the photo. There are times when the smallest of things mean the most to you. It might have been price ten dollars and I still think I would have bought it. It was part of my neighborhood. Our history.

It was a good buy. 

______________________________________________________________


Pandering by Matt O'Malley

Luke peeked around the sticky-yellowed window blind and through the portion of the window he had cleaned when he first moved into the room the previous week. Beyond the Elevated, he could see the setting sun cloaked in the orange smoky haze that tinged the sky and outlined the nearby tenement buildings, factories and more distant skyscrapers. Below the Elevated’s tracks, Luke had a clear view of the street and his target’s dark grime covered storefront windows and doorway.

On the sidewalk, a woman in a heavy overcoat pushed a covered baby carriage as a group of sailors sang together in drunken step.  A milk delivery truck was parked mid-street between a drab colored Hudson and black Packard, and just around the corner, Luke could just make out a buxom blonde in a short skirt and sweater. She was checking her watch.

Luke checked his watch then glanced at the Thompson machinegun and newspaper on the spring mattress. It was 5:40. He had to complete his business exactly at 5:54; that was when the Elevated would careen around the bend overhead, creating a concealing racket.

It was time go.

Luke let the window blind fall into place, picked up the folded month old Chicago Sun Times newspaper and stared at one of the columned articles. The story was about a gang’s accountant being assassinated and a witness who stepped forward, proudly proclaiming “I never forget a face”. The witness allowed a newspaper photographer to snap his photo. Luke absorbed the image.

“Sorry Mac” Luke mused, “Should’ve kept your mouth shut like the rest.”

Luke tossed the paper onto the bed, walked over to the round black and white rag rug in front of the small sink and looked into the oval mirror above. He had shaved this morning but decided he needed a little more cologne. He checked his eyebrows and with tweezers, removed a couple of renegade hairs. He then tucked in his shirt, dressed in his blue suit jacket, straightened his red tie and then cocked his thumb as he looked into the mirror, “Luke N Good”, he grinned, “Pow!”

Luke slung the Thompson over his shoulder, its strap allowed it to hang low to his side. He then dressed in his grey overcoat and a pair of gloves. One last check and he tipped his fedora to his reflection in the mirror.

Outside and Luke watched from the flophouse doorway as his twenty dollars went to work; the street corner blonde strolled along the sidewalk and escorted the Irish blue blooded sentry down the block and out of view of the target’s place of business.

Luke slid his hand though a slit in his overcoat that allowed him to steady his Thompson.  A breeze played with the exhaust from a manhole cover and newspapers bounded down the block as Luke crossed the street. He kept his gaze to the ground to conceal his face from any potential witnesses.

In his target’s doorway, Luke slowly turned the doorknob and tried to open the door as quietly as possible; door chimes however announced his entry. Luke quickly closed the door behind him and when he turned he found himself surrounded by a gallery of faces, mixed media portraits on white walls. The place was an art house of sorts.

Luke took only a fugitive glance at the faces on the walls; he was here on business. He tried to make a mental layout of the rooms to be seen to figure out where his target might be. He then stepped quietly, deeper into the main room, raising his Thompson and holding it in both hands as he went. Then something caught his eye. In an otherwise bare alcove to his left, and as if in a place of honor, Luke saw a familiar image. It was a portrait of Look N Good himself.

Luke’s mouth dropped open and he quickly side-stepped into the alcove, alternating his glances from his portrait and to the doorway that led to the next room. When he was a step away from the portrait, he took a long hard look at himself in paint and smirked. He then took a long look back at the doorway to the next room and listened, nothing.

He brought the side of his face within inches of the canvas. He could smell the paint.

Luke quickly glanced to the doorway to the next room, listened for a few moments, nothing. He then turned so he was now face to face with his portrait. He marveled at the brushstrokes how easily they seemed to give him the perfect eyebrows. He looked at the boutonnière in his portrait. Yes, Luke remembered, he was wearing a pink flower on his lapel the day he gunned down the accountant. He wanted to straighten out his collar in the painting but could only straighten his own.

A thought crept into the back of Luke’s mind that someone was behind him. He quickly turned around, grabbing his Thompson in a flurry of movements and pointed it towards the doorway that led to the next room.

Only the portraits on the opposing walls returned his stare.  Luke listened. He squinted his eyes and listened. Nothing.  He released a breath, turned towards the painting and again listened for sounds coming up behind him. When he had assured himself he was indeed still alone, Luke returned his thoughts and concentration to his portrait. 

Luke removed a glove and with his finger followed a brushstroke around his portrait’s eye.  He then traced a smile line down the side of his painted face. He removed his other glove. He had to have this painting. He reached up and put both hands on the frame and began to remove the picture from the wall.

Luke didn’t hear the cocking of the gun over the sound of the Elevated as it careened around the bend overhead, but he most certainly heard the phrase, “You catch more flies with honey.”
_______________________________________________

Damn guys!  Why’d you all have to be so good?  I know that there are two drawings but I think I owe more than two of you drawings this week.  The two top picks this week are Ron Slattery and Matt O’Malley.  I’m also going to send a drawing to Stephen Rogers but it won’t be of Luke since I only have two drawings. 

Not that I think that “pandering” really gets anyone anywhere but I did think that Slattery and O’ Malley both were so in the spirit of the “Renovated Reputations” project that I’d like to take them out and buy them coffee and give them each a piece of pie.

Ron Slattery’s story charmed the hell out of me.  Ron really get’s what this project is about too and I think we have a lot in common.  He is the king of brevity and good humor and he and his blog are the inspiration for this project.  Visit Ron’s  blog at http://www.bighappyfunhouse.com/ .  Ron collects vintage vernacular photographs and publishes them to his blog with often one word titles that are absolutely perfect just like the story he posted. 

After I read the story I realized who Matt O’ Malley was “Pandering” to!  What a crack up!  I thought as I started reading the story that it was going to be a satisfying pulp fiction noir style story, it was, but it was also a funny reference to a very familiar series of painted portraits.   Thanks Matt (I think.)  I really loved it!

Jeepers creepers look at Luke’s peepers!  “LOOKIN' for LUKE N. GOOD” by Stephen Rogers the essence of flash fiction economical, clever and played with ideas and words.  I liked the reference to windows and curtains, subliminal reference to the frame on the painting.  Damn he’s good and he really nailed it.  His theme was also in the same mind as some of the other authors.

Some very cool themes for the stories this week!  The stories dealt with a wide range of characters each dealing with something that haunts them.  The themes for each story dealt with the realities of aging, regrets, and the fact that despite our age, we still have the same insecurities and desires as teenagers.  Remember Harvey Fierstein line in “Torchsong Trilogy?”   I think most of these characters are motivated by the same thing, “I just wanna be loved.”

"Indentations on a Familiar Wall"  by D.G. Brosky another wow!  Brosky’s story was very intelligent with a great ending.  Brosky sketch provides a scene that is very visual and provides a  complete vignette that encapsulates a life.  The imagery in his story reminded me of a painting I made once called “Drifters.”

Milk of Magnesium P.I. by Patrick Nelson a pretty sardonic, unpredictable look at the life of a senior citizen detective.   The story has a great conversational tone as if you’re sitting across from Luke at the Proud Rooster drinking a cup of dishwater coffee.  The story stops at a great point of departure and the really cool part of it is that it’s the story within the story.  The themes he approaches through his characters are age and the fact that we never quite get our shortcomings or our chips off our shoulders.

What a charming story!  I am very partial to “The Zabar Tales - Take Your Turn” by Gigi DeVault.  Obviously she hit on a gestalt that I love from a distance, a New York story.  In a short amount of prose DeVault constructed a clear coherent story complete with plot, setting, and a charming almost magic ending.  It’s almost a love story.  Take a chance on it I think you’ll like her odds.

“Good to Go” by Helen Chapman was perhaps the most complete and surprising story of the group.  I didn’t see it coming I was so wrapped up in the setting and the character development that I didn’t realize where Chapman was taking me. 

“Pelicans and Posies” by Royce A. Ratterman just simply was a great noir kind of story.  Yeah, as one of the anonymous comments pointed out it was reminiscent of the movie “Alcatraz” but I don’t even think it was an homage.  This story is its own entity and really evoked a wonderful feeling of noir in the San Francisco Bay Area.

“The pickup artist” by Wabbitbunny had a fun Dadaist sensibility.  The story permeated with a gentle rib nudging at the “Renovated Reputations” project by making reference to the earlier stories and characters on this blog and had a lot in common with the two winners.  Wabbitbunny, shoot me an e-mail and send me your address so I can send you lawyers guns and money (and a catalog.) 

Margaret Millmore story was a dark interesting truly pulp style story!  Great stuff!

Go to this link to read all the stories:
http://kenney-mencher.blogspot.com/2011/02/write-story-about-luke-n-goode-and-win.html      


Go to my homepage for more competitions:
http://www.kenney-mencher.com/

Wednesday

Completed 24"x18" Noir Syle Painting

Here's the completed painting.
Here are the steps that I took to coplete the lower right hand figure.


See a larger finished version of this painting on my website at:
http://www.kenney-mencher.com/