Tuesday

Art Appreciation: What is considered good art, or quality art?

What is considered good art, or quality art?

I got asked this question this morning so I thought I'd post it here.


I am looking at artists like Theodore Bradley or Niclas Castello for example that mimic that idea of Jean Michel Basquiat. What about those two artists is it that people say that they have great art?

I know a lot about Basquiat but I wasn’t aware of the other two artists you mentioned so I googled them. I must say I’m not very impressed with either of them in terms of my own opinion. But it is just an opinion. So let me support my ideas and opinions with my rationale.

What makes Basquiat a very good artist are several things which include the physical form, the ideas in the art, and his placement in the context of the art world in the late 1970s and early 1980s.

Basquiat_self-portrait_1982
In terms of his ideas first, Basquiat was working with a lot of art historical notions such as the Gestalt or collective unconscious. He combined words images texts and even a little bit of contemporary culture in his art along with some biographical notions of who he was as a black man living in the United States. Some of the stuff has political overtones some of it is just stream of consciousness. However, the way he introduced his art to the public or the context that surrounds him is one of the things that created his acceptance and popularity in the art world.

When Basquiat came on the art scene he’d already been living in New York for most of his life and was really part of the New York avant-garde. He introduced the majority of his work by making it public art as a form of graffiti that was very different from the other graffiti writers and artists of the same time. He also hung out in New York with people who were already known as important people in the art scene. All of that combined with the physical qualities of his work made him and his work popular.

The physical qualities of his work really tie in with a lot of art historical ideas starting with the abstract expressionists in action painters like Pollock and deKooning. He experimented with found objects and with nontraditional art materials very much like Robert Rauschenberg and Jasper Johns. He wasn’t interested in traditional drawing skills and he also wasn’t interested in traditional representation in terms of art history from the 19th century and earlier. He embraced his awkward drawing skills and his improvisational use of art materials.



I don’t think that many artists have been able to establish a reputation by a mimicking or emulating other artists without being very unique.Theodore Bradley is really mimicking Basquiat in his personal appearance and some of his content and symbols but they are really not good paintings because he is trying to draw almost realistically but doesn’t have the skill, and also unable to commit to the abstraction that Basquiat did.



Theodore Bradley   Google Search


Niclas Castello Almost seems like he is mimicking Jeff Koons and Jasper Johns. However, I don’t think he is well-known because he’s almost like a third-generation copy of the pop art movement.

Niclas Castello   Google Search

Of course, all of the stuff above is just my opinion based on some things that I know about art history and the art world.
GROUP EXHIBITION

"In The Between"
Trey Abdella, Chloe Chiasson, Juan Travieso

Exhibition Dates: April 2 - 27, 2019

Artists' Reception: Saturday, April 6th, 3-5pm

[New York] Lyons Wier Gallery is pleased to present "In The Between," a group show featuring work by artists Trey AbdellaChloe Chiasson and Juan Traviesoon view April 2 - 27th, 2019.
 
"In The Between" examines that awkward, and sometimes disorienting, space between reality and fiction. Each artist brings a distinctly contemporary narrative to the age old question of belonging by examining their immediate world in a way that is very conscious of the "fake news" era we inhabit and exploits the multifaceted lens of popular culture. "In The Between" has a palpable shared spirit of disenfranchisement that serves as a compass rose to understanding these youthful voices commenting, and thusly bettering, their environment.

Trey Abdella, Catch, 2018, Acrylic on canvas, 40 x 30 in  / 102 x 76 cm
Trey Abdella was raised by television and computer and because of that found himself constantly referring to cartoons, video games, and the internet to comprehend the world around him. In his current work, Abdella explores ways of synthesizing these different pictorial languages into his own personal narratives. His animated subjects are clean freaks with rubber gloves trying their best to keep things in order while their lives are still a mess. Through his painting, Abdella creates a comical yet cohesive world, where cartoons are real and reality is distorted.


Chloe Chiasson, Like This?, 2018, Acrylic, oil, pastel, charcoal on canvas, 30 x 24 in / 76 x 61 cm
Chloe Chiasson explores the complex cultural debates of sexuality, gender, and subjectivity. Her painted portraits highlight her rejection of the mutual exclusiveness of masculinity and femininity in favor of a simultaneous coexistence, focusing on the process through which we come to find our authentic selves and the struggles that arise as we assert those selves within constraining environments. "My delight in authenticity is pervasive and it disregards cultural distinctions between and across the terms of gender, sex, and sexuality. As an advocate of traversing or treading this border in between, I am creating to realize the creative tensions compelled and concealed by oppositional rationale, inspired by the desire to rebel the paradigm of sameness versus difference that has historically suppressed non-conforming identities or expressions."

 
Juan Travieso, Darwin, 2018, Acrylic and oil on panel, 36 x 48 in / 91 x 122 cm

Juan Travieso creates visually complex worlds suspended in a state of fracture. Dismantled into seismic shards, these fragments are subject to the disorienting effects of constant spatial interruption. Combining a realist painting technique with surreal juxtapositions, spatial splicing, bright palettes, and geometric abstraction, Travieso conveys the textures of a universe in breach, distorted and split by its endless potential for loss. Fascinated by the extinction of countless endangered species and the often irrevocable influence of human intervention, Travieso presents the reality of a world in transition. A requiem of sorts for the irremediably compromised state of our biodiversity, Travieso's paintings capture the cataclysmic energy of its decay and the transience of this biological exhaustion and loss, depicting the lawlessness and diversity of nature at odds with the enforced geometry of human constructs. 
 
For more information, please contact:

Lyons Wier Gallery
542 West 24th Street, New York, NY 10011
Tel: +1 (212) 242 6220 
Instagram: @lyonswiergallery / Twitter: lwgallery

Gallery Hours: Tues - Sat, 11am-6pm

###
Follow us on social media:
Like us on FacebookFollow us on TwitterFind us on Pinterest
Lyons Wier Gallery, 542 West 24th Street, New York, NY 10011

Jobs related to "studio art" found 3 new jobs.

Jobs related to "art history" found 7 new jobs.
Kean University in New Jersey
posted on March 22
Emerson College in Massachusetts
posted on March 20
posted on March 20
posted on March 20
 

View all matching jobs
 

Monday

The San Francisco Artist Network
Professional Development for Artists programs
Is this email not displaying correctly?
View it in your browser.


SF Artist Network

The San Francisco Artist Network strives to support the making of quality art in all media, to provide a nurturing environment for artists’ professional development, to connect artists with potential exhibition opportunities and increased income, and to advocate local, national and international recognition.
 

One-on-One Consultation Sessions

Stephen C. Wagner provides one-on-one consultations with artists to develop strategies, goals, and actions plans. Learn how to jump-start your artist career and promote your artwork with clear, concise recommendations with informative examples from real life.
http://www.sfartistnetwork.org


CALLS FOR ARTISTS
& EXHIBITION OPPORTUNITIES:

SFAN Calls for Artists

RESOURCES FOR ARTISTS:

SFAN Resources


The San Francisco Artist Network Mission is to:

• heighten awareness and understanding of the visual arts, through education, outreach, and service to visual artists

• encourage and provide resources for the professional development of visual artists

• build a community of artists to stimulate respectful, authentic dialog and encourage exploration of art

• promote public awareness and appreciation of the visual arts

 

SFAN PORTFOLIO REVIEWS
May 2019

Receive an in-depth review and critique
of your artwork from three gallerists,
with recommendations for exhibition exposure.


Each artist will receive three sequential
15-minute one-on-one portfolio reviews
with gallery professionals.
Reviewers will be on site
on Tuesday, May 7th, and Thursday, May 9th
from 6:00PM to 9:15PM


GALLERIST REVIEWERS:

Tuesday, May 7th, 2019
Maria Medua with SFMOMA Artists Gallery
Ray Beldner with stARTup Art Fair
Ashley Voss with Art Attack SF Gallery

Thursday, May 9th, 2019
Clea Massiani with Bass & Reiner Gallery
Micah LeBrun with 111 Minna Gallery
Alex Farkas with UGallery.com
Artists receive a 45 minute time-slot
for three 15-minute sessions.


$115 fee per artist paid in advance
with on-line registration


included in registration fee:
SFAN Portfolio
Preparation Workshop
on Tuesday, April 30th, 7-9PM

- gain insight into creating & designing your website,
writing an effective artist statement, specific instructions on how to prepare for the review
 and what the reviewers are looking for in your portfolio website
- with Stephen C. Wagner


FOR MORE INFO:
http://www.sfartistnetwork.org

TO REGISTER:
https://www.sfhq.net/sfan-registration-may-2019.html

Portfolio Reviews held at
Arc Gallery & Studios

 
Arc Gallery & Studios, 1246 Folsom Street,  SF
between 8th & 9th streets, three blocks from the
Civic Center BART station on Market Street

www.arc-sf.com